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Abstracts:

Mi Fu Missing Lai Xi Tie --- Historical Research about Mian Yu Tie and Bo Xiu Tie

Li Xiangmin

Abstract

Mian Yu Tie and Bo Xiu Tie from Nine Han Du Tie by Mi Fu were actually letters from Mi Fu to his friend Chen Shixi asking him to buy Lai Xi Tie by Wang Xizhi. Scholars have been doing research for long on this from the angle of art history and calligraphic art. In fact， behind the beautiful calligraphy， there were vivid stories of collection， providing us important first-hand materials for research about art economy history and cultural industry history. Through this small window， we can peep the politics， economy，foreign affairs and art market in the first year of Chongning in North Song Dynasty.

Kev words

Mi Fu； calligraphy； collection； market； history

Special Significance of Ni Yunlin in Dong Qichang's Theory of the North and South School Art

Zhang Jiafeng

Abstract

Dong Qichang re-determined the "Four Master of Yuan" in his theory of the north and south school， replacing Zhao Mengfu by Ni Yunlin. Ni Yunlin had a special significance in the theoretical construction of Dong Qichang， so this paper attempts to examine the evolution of aesthetic category from the perspective of the scholars' identity， and then analyze the problem combining with the perspective of scholar's interests. The history of aesthetic category on the level of "Yi" and "light" has become the pursuit of the art Chinese limits， and as a model of "Yi" and "light"， Ni Yunlinhad a special significance in the theoretical construction of Dong Qichang. Finally， the aesthetic category changes attributed to the angle of the scholar's interests， which exposed the value of Ni Yunlin to Dong Qichang's theory.

Kev words

Dong Qichang； North and South School； Ni Yunlin； Yi-level work；light； identity of a scholar； taste of a scholar

Karl Friedrich von Rumohr， a The German art historian

Xing Li

Abstract

Rumohr is not a professional art historian， but he won so many awards in the field of art history， apparently， by his Italian Research， three volumes of the Italian Renaissance art research monograph. Italian Research by Rumohr was a milestone in the history of Western art after the Painter， Sculptor and Architect Biography by Vasari and History of Ancient Art by Winkelman，and it was the first attempt of a western scholar to establish the basic norm of art history， marking a new beginning of the history of Western art.

Kev words

Discipline of Art History； Karl Friedrich von Rumohr； textual research approach

An Analysis on the Styles， Meanings and Functions in the Scroll painting Shenshanhuiqitu Excavated at Yemaotai: Centering on the People in the Painting

Liu Lele

Abstract

Shenshanhuiqitu which is excavated at Yemaotao， Faku， Liaoning has been titled as a landscape painting. However， as a unique burial painting， what it shows is not the interests of hermit， but the relief of Dongxian among the folk. And through the analysis on the styles，meanings and functions of Shenshanhuiqitu， it can be regarded as a symbol of the paradise （Dongtian）. It is worth nothing that the cave in the painting echoes the Banqimen inside the sarcophagus towards the tomb owner's head. So the painting and the whole tomb implies the owner is walking towards the paradise （Dongtian）. And the small wodden shrine which contains the sarcophagus and paintings has been decorated with the thought of immortality，showing that the owner has completed the transformation of live in this private space. So she has become Ancestral Gods and accept ritual activities from her descendants.

Kev words

Senshanhuiqitu； style； meaning； fuction

From “Eight Views of The Xiao and xiang rivers”to recording and traveling painting”---a case about the transformmation of the painting sense in Chinese painting history

Jiang Yongshuai

Abstract

“Eight Views of The Xiao and xiang rivers”was originally painted by a painter named Song Di of Song dynasty. However， he created it just want to express something in politics， so， no liveaction was included. In its process of spreading， the intention has been misunderstood. In the view of Wu Zhen， a painter of Yuan dynasty， the picture was described as a landscape painting which can express the local scenic spots. Wu has drawn a painting named “Eight scenes in Jiahe”， which has become a “Eight scenes in Jiahe”indicated the local scenic spots.This kind of painting was fused by Shen Zhou， a painter in Ming dynasty and he created a recording and traveling landscape. Though eight scenes was misunderstood and become recording and traveling painting，however， the latter did not replace the former. The two kinds of paintings developed respectively after transforming. Eight scenes have become a patter， and recording and traveling painting have gradually become a practical and functional tourism atlas later.

Kev words

“Eight Views of The Xiao and xiang rivers” The meaning of painting Transformation The traval panting

Research on Communication of Ink Painting between China and Japan in the Early Twentieth Century

XuYongxia

Abstract

At the end of the Qing Dynasty， the Chinese-Japanese art exchange shows prosperity. Chinese and Japanese ink painting circles explored the multi-channel， multi-level cooperation and communication through spreading by overseas students， jointly organizing exhibitions and community organizations， studying art education， publishing catalogues and pictorials， and the artists' personal friendships and so on， so a far-reaching impact on the development of ink and wash as an Oriental art had been produced.

Kev words

Ink painting； communication； origin； way

Textual Study on Problems of the Official Li Script in the Song Dynasty

Li Botan

Abstract

The achievement of official Li script is not significant in the Song Dynasty， but its effect for inheritance between the Tang Dynasty and Qing Dynasty before the flourishing of the stele style calligraphyis irreplaceable. There are significant differences between Li script of the Song and those of other times in practice techniques， calligraphy theory， aesthetic trend and so on. This paper discusses three key factors which influence the Li calligraphy in the Song: first， the problem of learning from whom，revealing the reasons of the Li calligraphy in the Song being relatively simple in style was largely due to following the stylized Xi Ping Stone Script； second， abstracting the status and role of the official Li script in calligraphy creation in the Song Dynasty from the book reviews， finding widespread point of view as "theory of cultivation through writing Zhaun and Li Script"， and this has a profound influence； third， examining the idea of name and essence of "Li" and "eight division" in the Song， and the style characteristics in its effect.

Kev words

The Song Dynasty； the official Li script； cultivation； eight division； style

Projection and Boundless and Indistinct --On Painting by Su Xinping

Cao Yiqiang

Abstract

Work of art is the mirror or projection of the trinity of soul，nature and skills. Su Xinpinghas found the mysterious and free logic in the image and spiritual chain in pencil - stone plate -canvas media， and also found himself in a pending the confused situation. The scenery created by Su Xinping is with a strong visual impact， and makes people feelthe universal nature，boundless and indistinct. He may inadvertently have absorbedthe creating state of traditional Chinese calligraphy， focused on natural process rather than the results， and such is also the aesthetic concept emphasis in modern time.

Kev words

Projection； boundless and indistinct； painting by Su Xinping

Study on Version， Author， Production of Mao Shi Tu by Ma Hezhi

Li Sheng BianXiaoyan

Abstract Picture of Book of Songs by Mao Chang （Mao Shi Tu） by Ma Hezhi was a significant piece of work in the art history of the Song Dynasty. Although many scholars have done lots of textual research， but there are still lots of contents not clarified， such as its version， author and production. On the basis of reviewing the previous research methods and conclusions， this paper attempts to provide more evidence through organizing the scroll painting version and re-reading the work itself， so as to verify that the existing Mao Shi Tu was not by Ma Hezhi and the emperorGaoZong， and to put forward new views about some details of the making process of this scroll.

Kev words

Ma Hezhi； Picture of Book of Songs by Mao Chang （Mao Shi Tu）；version； author； production

Contempory speculation and enlightment of the relationship between carving and chinese painting

Kuang Yiming

Abstract

In the development of contemporary carving to pure art form，chinese painting and carving， both of which belong to Chinese national ideology， become closely related and interact with each to fermentation. In sum， the first point is the accomodation of carving and chinese painting at the level of techniques and evaluation； the second point is reinforcement and recognition of carving with traditional development concept of contemporary chinese painting and national will. Base on the above， with the reference of comment and development of chinese painting， our paper investigated the relationship of performance techniques and aesthetic qualities between carving and chinese painting microcosmicly， and further explored the traditional standpoint of carving perspective with the reform and development of chinese painting so far.

Kev words

evaluation reference；carving perspective；Chinese painting reform；national will

Passing Scenery: the Formation， Style， and Influence of the works by Turner

Feng Han

Abstract

William Turner was an outstanding representative of British romantic landscape painter. When many scholars' eyes were focusing on color experiment in paintings by Turner， it is necessary for us to recall Turner's romantic character of topography and his picturesque landscape paintings. This style had constituted the major features of Turner's landscape paintings in his early period. Looking through Turner's works of art， no matter it is painting，watercolor or etching， we will find a number of painting factors such as Gothic ruins， medieval castles and the ancient ruins in the pictures. The purpose of this paper is starting from analyzing British historical and cultural contextin the eighteenth century， so as to study the causes of ruins appearing in the Turner paintings in depth.

Kev words

William Turner； ruins； picturesque； landscape painting；Romanticism