靈性工業(yè)朋克
—— 寶山再生能源利用中心概念展示館

Kokaistudios

一家涵蓋建筑及室內(nèi)設(shè)計的事務所，在業(yè)界屢獲殊榮，由意大利建筑師Filippo Gabbiani和Andrea Destefanis 于2000 年聯(lián)合創(chuàng)立于威尼斯。

自2002 年公司總部設(shè)于上海以來，Kokaistudios 已擁有60 余位杰出設(shè)計師，并成長為一家多元文化背景的設(shè)計公司，與客戶協(xié)同合作，完成了涵蓋亞洲、中東、歐洲及北美洲的眾多創(chuàng)新設(shè)計項目。

Kokaistudios 專注于發(fā)展文化、商業(yè)、酒店及零售等方面的項目，更廣泛涉及城市更新與文化遺產(chǎn)再造的項目，旨在為項目所在的城市增添蓬勃生機。

Kokaistudios

It is an award winning architecture and interior design firm founded in 2000 in Venice by Italian architects Filippo Gabbiani & Andrea Destefanis.

Headquartered in Shanghai since 2002 we have grown into multi-cultural firm of 60 people working on a global scale with projects in Asia, the Middle East, Europe and North America. Kokaistudios partners with our clients to collaboratively develop innovative & ground breaking projects in diverse fields of design.

Primarily focused on developing cultural, corporate, commercial, hospitality & retail projects we have also worked extensively on urban regeneration projects involving the requalification of heritage locations.

Kokaistudios aims to develop projects that add positively to the built environment and social fabric of the cities and countries in which they are located.

Andrea Destefanis

出生于意大利都靈，早年間即對視覺藝術(shù)和舞臺布景有濃厚的興趣。完成了威尼斯建筑大學的學業(yè)后，Andrea 開始了同多個建筑事務所合作的職業(yè)生涯，參與了很多獲獎的建筑和城市規(guī)劃項目。受其對設(shè)計中不同領(lǐng)域的興趣驅(qū)動，Andrea 成立了合作工作室，致力于研究計算機平面設(shè)計的創(chuàng)新方法。2000 年他與Filippo Gabbiani 共同成立了Kokaistudios 設(shè)計事務所。

ANDREA DESTEFANIS

Born in Turin, Italy, Andrea Destefanis developed very early a strong interest for visual arts and scenography. After graduating from University of Architecture Venice, he started to cooperate with several architectural firms and developed award winning projects in architecture and city planning. Moved by his personal interest in different fields of design he founded a cooperative studio focused on research of innovative instrument of design in computer graphics before co-founding Kokaistudios together with Filippo Gabbiani.

Filippo Gabbiani

出生于意大利威尼斯，自幼展現(xiàn)出對藝術(shù)和設(shè)計的多重興趣。在完成了威尼斯建筑大學的學業(yè)后，出于其對不同學科和多元文化的好奇心，F(xiàn)ilippo 先后闖蕩于歐洲數(shù)國及美國，曾與多家世界頂級的建筑、室內(nèi)及工業(yè)設(shè)計事務所合作。2000 年他與Andrea Destefanis 共同成立了Kokaistudios 設(shè)計事務所。

地點：中國上海

建筑面積：725 m2

地塊面積：3100 m2

完成時間：2020.7

客戶：上海上實寶金剛環(huán)境資源科技有限公司

服務范圍：建筑改造+景觀設(shè)計

首席設(shè)計師：Andrea Destefanis, Filippo Gabbiani

設(shè)計總監(jiān)：李偉

建筑設(shè)計經(jīng)理：Andrea Antonucci

設(shè)計團隊：陸恬、曲昊

攝影：張虔希

撰文：FrancesArnold

媒體負責：JacquelineChiang

FILIPPO GABBIANI

Born in Venice, Italy, Filippo Gabbiani developed very early a multidisciplinary interest for art and design. Upon graduating from the University of Architecture Venice, he began work on a European Community sponsored research project on the usage of alternative energies in architecture and worked in several countries in Europe and in the U.S.A. cooperating with prestigious firms of architecture, interior and industrial design before meeting Andrea Destefanis with whom he founded Kokaistudios in 2000.

Location: Shanghai China

Building Floor area: 725 m2

Plot area: 3100 m2

Date of completion: July 2020

Client: SIIC Bao Steel Environmental Resources Technology Co., Ltd.

Service scope: Architecture renovation + Landscape Design

Chief Architects: Andrea Destefanis, Filippo Gabbiani

Design Director: Li Wei

Architecture Design Manager: Andrea Antonucci

Design Team: Lu Tian, Qu Hao

Photography: Terrence Zhang

Text: Frances Arnold

1 結(jié)構(gòu)概念

寶山再生能源利用中心概念展示館是寶武集團和上實集團聯(lián)合開創(chuàng)多功能空間項目的首個里程碑，它保留了寶武上海羅涇基地的工業(yè)遺產(chǎn)，同時也為其未來的功能拓展奠定了基礎(chǔ)。通過在原有建筑中置入新的體量，以及內(nèi)置靈活性，Kokaistudios 為這個里程碑式的項目開創(chuàng)了先河。

該項目的主體是位于上海寶山羅涇的再生能源利用中心，通過垃圾焚燒進行發(fā)電，環(huán)境公園和教育展示中心等組成的多元景觀。在園區(qū)整體施工之前，Kokaistudios 將基地中舊有的一座工廠建筑改造成了展覽中心，為這座曾以鋼鐵聞名的基地邁出了轉(zhuǎn)型成前瞻性環(huán)保工業(yè)園區(qū)的第一步，改造后的建筑也成為該園區(qū)的標志性入口。

這個展覽中心將用于展示模型、圖紙和規(guī)劃，歡迎及拓展開發(fā)商、客戶及潛在租戶參觀的同時，也將接待學生們了解綠色能源戰(zhàn)略，發(fā)揮重要的教育作用。該項目包括展覽、多媒體、餐飲和VIP 區(qū)，從最初規(guī)劃開始就確定了設(shè)計的關(guān)鍵點，即在保留結(jié)構(gòu)的約束條件下建立空間的靈活性。

項目的原身是寶鋼中厚板公司煉鐵廠一號煉鐵爐的所在地。由于該鋼鐵廠園區(qū)的大部分廠房已被拆除，它是這塊土地上僅存的幾處建筑之一。對Kokaistudios 而言，保護重要工業(yè)遺產(chǎn)，既是機會，也是責任。

盡管老鋼鐵廠的轉(zhuǎn)運平臺早已被廢棄，但正是由于它的歷史特征，新建的725 平米展廳仍然引人注目。Kokaistudios 在保持歷史元素的同時應用創(chuàng)新的設(shè)計手法，使其符合新的功能需求。

具體來說，由于僅作為臨時建筑使用，客戶不希望大規(guī)模改造既有的鋼架，設(shè)計采用了一種輕量級的方法：在原始結(jié)構(gòu)的框架中置入一個完全獨立的聚碳酸酯材料外殼，不僅減少與既有結(jié)構(gòu)疊加造成的密閉性構(gòu)造等技術(shù)問題，而且聚碳酸酯這種半透明材料與保留的除塵管道、通廊支架，銹蝕的膠帶機、料斗的重工業(yè)形象形成互補。

由此產(chǎn)生的美感在歷史與當代、不透明與透明、冷與熱之間創(chuàng)造了一種清晰的關(guān)系和對話。此外，半透明的材料引入了充足的自然光，讓游客對這一地標性項目有非常直觀的印象。到了晚上，來自內(nèi)部空間的光線則使建筑散發(fā)出迷人的光芒。

在內(nèi)部同樣采用輕質(zhì)選材，完全可循環(huán)利用，讓生態(tài)環(huán)保的概念貫穿項目整體。除了聚碳酸酯板立面和屋頂，地板是采用預制高強混凝土板，衛(wèi)生間使用不銹鋼板飾面。較冷的色調(diào)與建筑原有的高爐形成對比。與之不同的是展覽區(qū)域的色調(diào)，展板的木飾面肌理與遠處公園的自然景觀遙相呼應；色彩豐富的獨立式家具給空間帶來了整體的靈活性。

建筑工業(yè)歷史和當代生態(tài)環(huán)境之間的對話已經(jīng)超越了場地的局限性。例如，景觀設(shè)計中使用了一種紅褐色形似卵石的材料，它是煉鋼過程中的副產(chǎn)品—球團礦渣，混凝土板鋪裝和礦渣條帶交替出現(xiàn)，令人想起這片場地曾經(jīng)的使用功能。環(huán)繞建筑四周的植物都被保留下來，創(chuàng)造出新建的展廳消隱在場地景觀中的效果。

作為多元化項目的一個初步里程碑，在每個層次構(gòu)建靈活性是很重要的。就建筑本身而言，這是通過輕質(zhì)材料和模塊化預制設(shè)計實現(xiàn)的。設(shè)計方案除了可以實現(xiàn)快速建造、優(yōu)化時間和成本之外，也為未來的重新利用、回收留出了可能性。

通過創(chuàng)造建筑在工業(yè)歷史和未來生態(tài)之間的對話，Kokaistudios 對寶山再生能源利用中心概念展示館的建筑改造為該基地更多的項目樹立了標桿和先例。通過對內(nèi)外材料的考量，改造保留了原有結(jié)構(gòu)的遺產(chǎn)價值，同時為未來開發(fā)預留了充?？臻g。

A first milestone in a multifaceted mixed-use project, Baoshan Exhibition Center preserves the industrial legacy in Shanghai, while setting the stage for its future functions. Through imbedding new architecture volume, as well as in-built flexibility, Kokaistudios’ structure sets a precedent for this landmark project.

In the Shanghai suburb of Luojing, Baoshan District, Kokaistudios has taken the first step in transforming a 450,000sqm site once known for steel production into a visionary eco-industrial park. This project will be Baowu’s new waste-to-energy power plant, and around it, a mixed-use landscape comprising wetland areas, a park, museum, and offices. Ahead of construction, Kokaistudios converted one of the site’s few remaining factory buildings into an Exhibition Center, and symbolic gateway to this landmark scheme.

Designed with the purpose of exhibiting models, drawings, and plans outlining the wider development, the Exhibition Center will welcome an audience of developers, clients, and prospective tenants of the broader scheme. The facility will also play an important educational role through hosting students studying green energy strategies. From an initial brief spanning programming including exhibition spaces and multimedia zones, F&B and VIP areas, a key priority was to build flexibility within the constraints of this preserved structure.

With a majority of its factory buildings demolished, the Exhibition Center occupies one of only a handful of original structures left on the plot. For Kokaistudios, this presented both an opportunity as well as a responsibility to preserve the project’s significant industrial heritage.

Although long abandoned, the 725sqm building was nonetheless striking thanks to its historic character. Kokaistudios’ design maintains these elements alongside innovative architectural interventions to render it fit for purpose.

Specifically, the firm settled on a lightweight approach: a fully independent polycarbonate envelope positioned within the perimeter of the original structure. Not only does the solution resolve several of the project’s technical issues - waterproofing, for example - the translucent materialcomplements the bulk and weight of preserved piping and rusted machines housed within the inner casing.

2 西立面局部

The resulting aesthetic creates a clear relationship and dialogue between historical and contemporary, opacity and transparency, hot and cool. Furthermore, the material’s translucency affords plentiful natural light inside the space, allowing visitors a very literal glimpse into this landmark project. By night, light from inside the space lends the building an intriguing glow.

Inside, materials are kept similarly light and in keeping with the project’s broader ecological focus, fully recyclable. Alongside the polycarbonate facade and roof, floors are finished in concrete tiles, and the facility’s bathrooms feature stainless steel cladding. Throughout, cooler tones contrast with the structure’s former associations of blasting furnaces. An exception is the exhibition hall, where natural elements including wood veneer partitions connect to the parkland beyond; and colorful, freestanding furniture lends the space total flexibility.

3 改造前建筑整體

4 東立面

1 北立面鳥瞰圖

3 休息區(qū)及會議室

4 休閑空間

The established dialogue between the structure’s industrial past and its contemporary ecological context extends beyond its perimeter. For example, alternating strips of stone tiles and steel slags - a by-product of the metal’s manufacturing, characterized by red-brown pebble-like objects - recall the site’s former function. Existing trees surrounding the building have been kept, creating an overall effect of the new Exhibition Center merging into the landscape beyond.

As a preliminary milestone of a multifaceted project, it was important to build flexibility at every level. In terms of the building itself, this was achieved through lightweight materials and a modular, pre-fabricated design. In addition to affording fast construction, optimizing both time and costs, the dry-build approach leaves open possibilities for future repurposing, or indeed, recycling.

Kokaistudios’ architectural renovation for Baoshan Exhibition Center sets a benchmark and precedent for the site’s broader project, specifically through its dialogue between industrial past and ecological future. Through a considered approach to materials both inside and out, the project preserves the structure’s significant legacy, all the while opening the space up to its future roles.