和合傳播走向世界

盧珍珍 王佳麗

和合文化既是歷史的，又是當(dāng)代的；既是中國的，又是世界的。近幾年來，各地都在重新梳理、研究和合文化，以此來更好地弘揚、傳播和合精神，服務(wù)社會。

在浙江臺州，《臺州市“和合圣地”建設(shè)行動綱要》將和合文化的建設(shè)和發(fā)展提升到新的高度：到2030年，和合文化將根植于臺州，與城市深入融合，其傳播力、影響力將更加廣泛深遠(yuǎn)，讓臺州真正成為中華和合文化的標(biāo)志地、傳播地、示范地，成為享譽中外的“和合圣地”。

和合研究 ?深化當(dāng)代價值

和合文化正在潤物細(xì)無聲地融入臺州的文化基因。它是一種看得見、摸得著的文化形態(tài)之存在。多年來，為了讓和合文化傳播得更遠(yuǎn)，各方一直在努力。

理論是文化傳承的基礎(chǔ)。

2017年3月，浙江省啟動了第二期文化研究工程，臺州“和合文化”被選入其中，也是全省唯一地級市課題?！疤炫_山和合文化”的概念、形成、發(fā)展、傳承等，是當(dāng)時課題的研究重點。

為了確保研究的深入性和持續(xù)性，2017年5月，臺州學(xué)院和合文化研究院掛牌成立。

同年年底，由臺州市編著的《解讀和合文化》正式出版。這本書從臺州的歷史文化出發(fā)解讀和合文化，既有學(xué)理的高度，又有歷史的深度。

中華和合文化有三大源頭，即龍圖騰文化、三祖文化以及天臺山文化?！督庾x和合文化》對三個源頭進(jìn)行了概要性的介紹，并對天臺山文化進(jìn)行了細(xì)致和深入的梳理。

事實上，關(guān)于天臺山文化的研究，臺州做得很早。

早在1989年5月18日，臺州市天臺山文化研究會成立，它是國內(nèi)首家市級研究名山文化的群眾性學(xué)術(shù)團體。為了挖掘和弘揚天臺山文化，據(jù)不完全統(tǒng)計，研究會列入國家級規(guī)劃課題7項、省部級規(guī)劃課題20多項、市廳級規(guī)劃課題50多項。1993年以來，研究會開展各類大小文化研討交流活動數(shù)百次。

在一次又一次的研討交流活動中，和合文化的內(nèi)涵與價值被廣泛傳播。

2008年5月，中國社科院世界宗教研究所、浙江省社科聯(lián)等聯(lián)合舉辦了“寒山子暨和合文化國際研討會”，來自11個國家和地區(qū)的130多位專家學(xué)者與會。

2017年11月，天臺舉辦以“尚和合，求大同”為主題的天臺山和合文化論壇，來自中國、美國、日本、韓國、泰國等國家的近200名專家學(xué)者參會。

會上，學(xué)者們探討了和合文化在“一帶一路”建設(shè)和構(gòu)建人類命運共同體中的作用，更好地促進(jìn)了傳統(tǒng)文化與地域經(jīng)濟的相互融合。來自國內(nèi)外各界的專家學(xué)者，分享了對和合文化的新見解、新思路。會后，“和合圣地”之碑被立在天臺。

2019年10月，臺州“文化融”主題峰會暨天臺山和合文化論壇在天臺舉行，深入探討了和合文化的當(dāng)代價值。

和合傳播 ?影響走向世界

一首詩、一個形象、一種思想，這些是歷史上和合文化對外輸出的最初載體。

寒山子及其詩歌對中國哲學(xué)、詩歌、小說、書畫藝術(shù)、民間建筑、民間信仰等都產(chǎn)生了深遠(yuǎn)的影響，其影響還走向了世界。

在日本，無處不寒山，寒山詩和他的傳說，在北宋神宗年間傳入日本。寒山子對日本的文學(xué)、美術(shù)、音樂等產(chǎn)生了重要影響，寒山子的思想、形象更是滲透到日本人的生活之中。在日本，我們到處可見寒山郵票、寒山墨塊、寒山刀等。

20世紀(jì)50年代，伴隨著禪宗的傳播，寒山詩及其形象從日本傳到了美國，此后，形成了歷時近20年之久的“寒山熱”，影響了很多美國讀者和文學(xué)家。

如今，在多方努力下，和合文化走向海外，有了更多的傳播土壤和途徑。

2018年10月中旬，在楓葉之國成立了加拿大中國和合文化研究會。

加拿大中國和合文化研究會創(chuàng)會會長、天臺人王典奇表示，加拿大的文化，實際上就是一種和合文化，大家和衷共濟、和合共生。因此，加拿大和中國有著共同的“和合”文化基因，成立加拿大中國和合文化研究會，可以說是時機成熟，水到渠成。

王典奇說，“和合”是一種文化，更是一種文明，是一種趨勢。古今中外，任何一個家庭的幸福、企業(yè)的成功、國家的繁榮，都離不開“和合”二字。成立“和合文化研究會”就是要梳理和合文化發(fā)展脈絡(luò)，研究和合文化當(dāng)代價值，將這一“東方智慧”推廣到加拿大，在現(xiàn)實生活中科學(xué)理解和正確弘揚中華和合文化，為中國的和合文化與加拿大的多元文化相互交流融合作出貢獻(xiàn)。

鄭燕是土生土長的天臺人，現(xiàn)任日本臺州同鄉(xiāng)會常務(wù)副會長。

2019年7月9日下午，中國第一家海外天臺山和合文化驛站的授牌儀式在日本東京舉行。鄭燕代表日本臺州同鄉(xiāng)會接牌。

鄭燕說，以前在國內(nèi)時并不知道天臺與日本的關(guān)系，到日本后才知道，家鄉(xiāng)竟然與日本有如此深厚的淵源。儒、道、釋三教融通的和合文化，不僅是天臺的、中國的，更是世界的。天臺山和合文化東京驛站，架起了中日文化交流的橋梁，將讓更多的日本民眾了解和合文化。

和合體驗 ?共享特色文化

和合文化的傳播，它并不局限在空間范疇，它是多維度的。

2018年8月，旅游演藝歌舞劇《天臺遇仙記》在天臺指向藝術(shù)中心音樂劇場舉行了首演。

《天臺遇仙記》改編自天臺的一則民間傳說“劉阮遇仙”，講述劉晨、阮肇入天臺山采烏藥，因迷路而誤入桃源，與兩位仙女結(jié)為伉儷的愛情故事。

除了保留原故事的浪漫愛情之外，該劇還加入了很多天臺元素和和合文化元素，旨在弘揚天臺本土文化，弘揚和合文化，成為天臺對外宣傳的一張金名片。

和合文化可以通過眼睛看，也可以去進(jìn)行沉浸式體驗。

來天臺之前，你可以在微信上關(guān)注“天臺度過”，它是一家以天臺山文化旅游、休閑養(yǎng)生推廣為品牌特色的綜合性文化體驗平臺，也是天臺山優(yōu)秀傳統(tǒng)文化研學(xué)旅行基地。

傳統(tǒng)手工、植物扎染、禪修養(yǎng)生……關(guān)于和合文化的沉浸式體驗，這里已經(jīng)舉辦了上千場。

天臺還推出了和合雅集，它是將地方人文歷史和旅游文化元素濃縮在一起展現(xiàn)給游客的雅集，是國內(nèi)外游客體驗天臺山文化最直接、感受最深刻的文化體驗傳播活動。

濟公，是天臺歷史上典型的和合文化人物。這幾年，關(guān)于濟公形象的優(yōu)質(zhì)動畫輸出，讓更多人知道了天臺，知道了和合文化。

與央視動畫公司合作創(chuàng)作的電視動畫片《小濟公》，被評為“國家走出去翻譯工程重點項目”，獲得中國文化藝術(shù)政府獎第三屆“最佳動漫作品獎”、浙江省第十三屆精神文明建設(shè)“五個一工程獎”等。

動畫大電影《濟公之降龍降世》，講述了由降龍羅漢轉(zhuǎn)世的少年李修緣在歷經(jīng)人間苦難后，再次悟道重獲金身，肩負(fù)使命拯救蒼生的故事。電影在全國公映后收到了廣泛好評，該電影還入圍第34屆中國金雞百花電影節(jié)最佳美術(shù)片提名名單。

和合傳承 ?融入人們生活

走進(jìn)臺州市博物館，正在臨展的《和合系列——和合圓融》雕塑作品，不僅展現(xiàn)了臺州民間工藝美術(shù)的精湛，更體現(xiàn)和合文化的深刻內(nèi)涵；漫步和合公園，市民在觀鳥聽溪中享受城市慢生活，感受人、建筑、自然的和諧之韻；穿過黃巖“七十二巷”，作為“和合街區(qū)”創(chuàng)建的實踐點，老巷呈現(xiàn)出“新舊共生、和而不同”的城市新風(fēng)貌……

和合文化，千年傳承，臺州早已將其融入自身發(fā)展的血液之中，“和合圣地”成為臺州的城市新定位。從學(xué)校到社區(qū)，從集體生活、私人生活到除家庭單位之外的“第三生活”，和合文化以鮮活的文化形態(tài)扎根臺州，與城市深度融合。

來到天臺，這里的地標(biāo)都很“和合”。從和合文化公園和合二仙大型銅雕，到高速出口小濟公大型銅雕，城市景觀雕塑以其獨有的造型方式和巧妙的空間語言，凝聚群眾的文化共識，展現(xiàn)城市性格。一座和合小鎮(zhèn)，是和合文化展示和傳播的新高地。小鎮(zhèn)的核心之一——和合文化創(chuàng)意街區(qū)，以和合文化為主題，融入豐富和合文化創(chuàng)意項目，集休閑旅游、文化創(chuàng)意、健康服務(wù)于一體。

已建成的龍溪和合文化研學(xué)基地、后岸和合文化旅游特色村、始豐湖公園和合文化廣場等一批物化工程，都是“和合地標(biāo)”建設(shè)的嶄新圖景。此外，天臺縣還在抓緊寒山古城、唐詩小鎮(zhèn)等一批重大項目建設(shè)。

以和合文化為主題的地標(biāo)建筑拔地而起，以和合精神為指導(dǎo)的文化場館也落地生根。這些場館不僅是用來“打卡”的，更是群眾文化滋養(yǎng)、自我提升的精神家園。

同樣，一批批和合書院、和合講堂落地建成，用于舉辦各類文化和讀書活動，成為有溫度、有質(zhì)感的精神文明體驗場景。位于天臺縣張思古村的宗淵書院，毗鄰天臺山桐柏宮的瓊臺書院，面向全民推行“傳統(tǒng)國學(xué)”與“和合文化”的廣泛學(xué)習(xí)；路橋區(qū)坦田村的映雪書院，邵家渡中心校的尚斌書院等，融合當(dāng)?shù)匚幕洃?，成為百姓開展閱讀與文化活動的重要載體。

為讓和合文化傳承下去，天臺縣舉辦第三屆“少年非遺說”傳說故事講述大賽，上千名學(xué)生參與報名。孩子們用講故事的方式，為一段段悠遠(yuǎn)的歷史——劉阮傳說、寒山拾得傳說、智者大師故事、國清寺古跡等注入新的活力，讓民間文學(xué)在得到更廣泛傳播的同時，推動非遺文化的傳承與保護(hù)。

在天臺，除了關(guān)注學(xué)生“和合品格”的養(yǎng)成外，還聚焦教師“和合素養(yǎng)”的培育。天臺縣教師進(jìn)修學(xué)校舉辦中國傳統(tǒng)文化和天臺和合文化培訓(xùn)班，有近百名教師參加培訓(xùn)。教師通過多角度多層面的分析解讀，深入學(xué)習(xí)和感悟天臺山和合文化，激發(fā)愛鄉(xiāng)熱情，自發(fā)成為和合文化的宣傳員。

更深刻的文化研究和理論歸納，須將目光重新投射至校園。近年來，臺州學(xué)院深化和合理論研究，闡發(fā)和合文化精髓，成立天臺山文化研究院、和合文化研究院、唐詩之路研究院等，成功獲批省部級以上文化研究項目13項，出版學(xué)術(shù)著作近10部，并通過聯(lián)合臺州市社聯(lián)和天臺縣和合文化研究組，開展各類課題研究，舉辦全國性文化論壇等，已初步形成和合文化理論體系建設(shè)。

和合理念 ?滲透社會治理

近年來，天臺縣將“和合理念”滲透到社會治理各個方面，廣泛開展“和合文化六進(jìn)活動”，在工作中凝聚基層治理最大公約數(shù)，形成了和合征遷、和合調(diào)解、和合班子、和合鄰里等一批基層工作品牌。

后岸村以“生態(tài)和合”為出發(fā)點，開發(fā)利用好村內(nèi)的天然綠色資源，成功創(chuàng)建了宜居宜養(yǎng)的幸福家園和詩意美麗的休閑樂園。赤城街道天都社區(qū)通過成立和合“一家親”、和合“網(wǎng)絡(luò)理事長”、和合“老娘舅”、和合“藝術(shù)團”等舉措，深化和合社區(qū)創(chuàng)建工作，營造社區(qū)和諧發(fā)展的良好氛圍。南屏鄉(xiāng)組建“南山表嫂”和合調(diào)解團，以“家庭小調(diào)解”促“鄉(xiāng)村大平安”，為婦女群眾打造溫暖之家、溫馨港灣。洪疇鎮(zhèn)則以“和合理念”引領(lǐng)自治善治，打造“和合班子”，構(gòu)建鄉(xiāng)賢和合村居建設(shè)聯(lián)盟，增強群眾的和合意識。

民之所盼，政之所向。以群眾需求為中心，提供優(yōu)質(zhì)的公共服務(wù)，促進(jìn)人與人、人與社會關(guān)系的和諧，正是和合文化中追求“和而不同”的鮮活縮影。

2021年，臺州在全市開展“和合街區(qū)”創(chuàng)建工作。結(jié)合街區(qū)的實際情況與特有的傳統(tǒng)文化，各縣（市、區(qū)）聚力打造獨具特色的“和合街區(qū)”建設(shè)新樣板。椒江區(qū)“城東景·生活家”街區(qū)推出“和合家園”概念，打造10分鐘便民圈、20分鐘處置鏈及30分鐘同心圓的管理模式，將和合元素融入城市管理的“細(xì)枝末節(jié)”，解決群眾的“急難愁盼”。三門縣制作“街長名片”，設(shè)立“街長驛站”，將服務(wù)和溝通送到群眾身邊。針對和合街區(qū)的商戶，開展“最美商戶”評比，營造商戶比學(xué)趕幫超的氛圍，增強商戶參與社會管理的動力。

Hehe Culture Thriving in Taizhou

By Lu Zhenzhen Wang Jiali

The Hehe culture is both historical and contemporary; it belongs to China and the world. In recent years， the Hehe culture has been widely studied across China and becomes more influencing and beneficial to the society.

In Taizhou city， Zhejiang province， an action plan to build the city into the “holy land” of the Hehe culture has been proposed. By 2030， according to the plan， the Hehe culture will be thoroughly rooted in Taizhou and deeply integrated with the city. Its influence will become more extensive and far-reaching， making Taizhou a real symbol of the Hehe culture and the holy land of Hehe culture well known at home and abroad.

In March 2017， the Zhejiang province launched the second phase of the cultural research projects， in which Taizhous Hehe culture was selected as the only prefecture-level-city project in the province. The concept， development and inheritance of the “Hehe Culture in the Tiantai Mountain” were the focus of the research at that time.

In order to ensure the depth and continuity of the research， the Hehe Culture Research Institute of Taizhou University was established in May 2017.

At the end of the same year， Interpretation of the Hehe Culture compiled by the Taizhou government was officially published. This book interprets the Hehe Culture from the perspective of Taizhous history and culture， which is both academic and historical in its scope.

The Hehe culture has three sources， namely， the dragon totem culture， the three ancestors culture and the Tiantai Mountain culture. Interpretation of the Hehe Culture gives a brief introduction to the three sources， and makes a detailed， in-depth analysis of the Tiantai Mountain culture.

In fact， Taizhou has been conducting research on the Tiantai Mountain culture from very early on. On May 18， 1989， the Tiantai Mountain Culture Research Association was established. It is the first municipal-level public academic group studying famous mountain cultures in China.

The connotations and values of the Hehe culture have been widely spread in discussion and exchange activities.

In May 2008， the Institute of World Religions of Chinese Academy of Social Sciences， Zhejiang Federation of Humanities and Social Sciences Circles and others jointly held an international seminar on Hanshan， the monk and the poet， and the Hehe Culture， which was attended by more than 130 experts and scholars from 11 countries and regions.

In November 2017， the Tiantai Mountain Hehe Culture Forum was held in Tiantai county， with nearly 200 experts and scholars from China， the United States， Japan， Korea， Thailand and other countries participating. At the forum， scholars discussed the role of the Hehe culture in the construction of the “Belt and Road” and a community with a shared future for mankind， which better promoted the integration of traditional culture and regional economy. Experts and scholars from all walks of life at home and abroad shared new insights and ideas on the Hehe culture. After the forum， the monument of Hehe culture was erected in Tiantai.

In October 2019， Taizhou “Cultural Integration” Summit and Tiantai Mountain Hehe Culture Forum were held at the Tiantai Mountain， deepening the contemporary value of the Hehe culture.

A poem， an image， and an idea are the carriers of the Hehe cultures initial publicity. Hanshan and his poems have had a profound impact on Chinese folk culture， which has also been spreading worldwide.

In Japan， Hanshan can be seen everywhere. His poems and legends were introduced into Japan during the reign of Emperor Shenzong （1048-1085） in the Northern Song dynasty （960-1127）. Hanshan has had an important influence on Japanese literature， art and music， and his thoughts and images have long been engrained into Japanese peoples everyday lives.

In the 1950s， along with Zen Buddhism， Hanshans poetry and his image spread from Japan to the United States. Since then， Hanshans popularity， which lasted nearly 20 years， has affected many American readers and writers at that time.

Now， driven by collective efforts， the Hehe Culture has gone overseas， gaining a greater reputation through diversified channels.

In the middle of October， 2018， the Canadian Hehe Culture Research Association was established in the “Land of Maple Leaf”.

Wang Dianqi， founder of the Canadian Hehe Culture Research Association and a Tiantai native， said that Canadian culture is in fact a kind of Hehe culture， where everyone works and lives in harmony. Therefore， Canada and China share the same cultural gene of “Hehe”. The Canadian Hehe Culture Research Association can be said to have been established at the ripe time.

Wang said that “Hehe” is a culture， a civilization and a trend. At all times and in all countries， the happiness of any family， the success of any enterprise and the prosperity of any country cannot be separated from the concept of “Hehe”. The establishment of the Hehe Culture Research Association is to sort out the development context of the Hehe culture， study its contemporary value， promote this “oriental wisdom” to Canada， scientifically understanding and promoting the Chinese Hehe culture in real life， and making contributions to the mutual exchange and integration of Chinas Hehe culture and Canadas multiple cultures.

Zheng Yan， a native of Tiantai， is currently the executive vice president of the Taizhou Clan Association in Japan.

On the afternoon of July 9， 2019， the award ceremony of Chinas first International Center of the Hehe Culture was held in Tokyo， Japan. Zheng received the plaque on behalf of the Taizhou Clan Association in Japan.

Zheng said that she did not know the relationship between Tiantai and Japan before， but only after arriving in Japan did she find out that her hometown had such a deep relationship with the country. The harmonious culture of Confucianism， Taoism and Buddhism not only belongs to Tiantai， China but also to the world. The International Center of the Hehe Culture in Tokyo has built a bridge for cultural exchanges between China and Japan， which will enable more Japanese people to understand it.

Beyond geographical limit， the spread of the Hehe culture is multi-dimensional.

In August 2018， a musical called Tiantai Yuxianji （An Encounter with Immortals in Tiantai） was premiered at the Music Theater of Tiantai Zhixiang Art Center. The musical is adapted from a folk legend which tells a love story between two mortals and two fairies in the Tiantai Mountain.

In addition to retaining the romantic love of the original story， the play also adds many elements of the Tiantai and the Hehe culture， aiming to promote the local culture of Tiantai and the Hehe culture， and to become a “golden card” for Tiantais publicity.

The Hehe culture can be seen through the eyes or felt through immersive experiences.

Before coming to Tiantai， you can follow the official account of “Tiantai Duguo” （Enjoying Your Time in Tiantai） on WeChat. It is a comprehensive cultural experience platform featuring Tiantai Mountains cultural tourism， and it is also an excellent traditional culture research and travel base of the Tiantai Mountain.

Traditional handicrafts， tie-dyeing， meditation and regimen ... thousands of immersive experiences of the Hehe culture have been offered here， directly attended by about 40，000 people.

Tiantai also launched the Hehe Yaji （or cultural fair）， which is the most direct and profound cultural experience for domestic and foreign tourists to learn the Tiantai Mountain culture.

Ji Gong is a typical figure of the Hehe culture in the history of Tiantai. In recent years， the animation works of Ji Gong has made more people know about Tiantai and the Hehe culture. The TV animation Little Ji Gong， which was created in cooperation with CCTV Animation Group， was rated as the “key project of the national going global translation project”， won the third “Best Animation Award” of the Chinese Culture and Arts Government Award， and the “Five One Project Award for the 13th Spiritual Civilization Construction” of Zhejiang province.

The animated film Master Ji Gong tells the story of Li Xiuyuan， a young man reincarnated from a dragon subduing arhat， who once again realizes the truth and regains his golden body after experiencing human suffering， and shoulders the mission to save his people. The film received wide acclaim after it was released nationwide. It was also shortlisted for the Best Animation of the 34th China Golden Rooster and Hundred Flowers Film Festival.

In the Taizhou Museum， the sculpture works of the Hehe culture series on exhibition not only show the exquisite folk arts and crafts of Taizhou， but also reflect the profound connotations of the Hehe culture. Walking in the Hehe Park， citizens can enjoy a slow city life through watching birds and listening to melodious creek sound， and can also feel the harmonious vibes between people， architecture and nature. The old “72 Alleys” in Huangyan， a practice of the Hehe street， has now turned on a new， modern look of “coexistence of the modern and the traditional， harmony without uniformity”.

The Hehe culture has been inherited for thousands of years， and Taizhou has already integrated it into its own development. From schools to communities， from public and individual life of the citizens， the Hehe culture has taken deep root in Taizhou in a vivid cultural form.

Landmark buildings with the theme of the Hehe culture have sprung up， and cultural venues guided by the Hehe spirit have also taken shape. These venues are not only Instagrammable places， but also the spiritual home for people to nurture and improve themselves.

Similarly， a number of Hehe academies and Hehe lecture halls have been built to hold various cultural activities and offer different cultural perspectives and experiences.

In order to pass on the Hehe culture， Tiantai county held the third edition of Storytelling Contest among teenagers. Thousands of students participated in the contest and injected new vitality into age-old Tiantai legends， so as to promote the inheritance and protection of intangible cultural heritage while spreading folk literature.

More profound cultural research and theoretical construction need to be done back on campus. In recent years， Taizhou University has deepened the study of the Hehe theory， elucidated the essence of the Hehe culture， and established research institutes on the Tiantai Mountain， the Hehe culture and the Tang Poetry Road， among others.

The Hehe Culture Research Group of Tiantai County has carried out various research projects and held national cultural forums， forming an initial theoretical system of the Hehe culture.

Recently， Tiantai county has applied the concept of the Hehe culture into all aspects of social governance， and extensively carried out the “Six Movements of the Hehe Culture”.

For the Hehe culture， focusing on the needs of the public， providing high-quality public services and promoting the harmony among different people， between people and society are the vivid epitome of the pursuit of “harmony without uniformity” .