1895年12月28日法國(guó)奧古斯特?盧米埃爾和路易?盧米埃爾兄弟在巴黎卡普辛路14號(hào)大咖啡館的地下室，第一次播放了自己拍攝的《火車到站》、《水澆園丁》、《工廠的大門》等十余部短片，從此，這天就成為電影的誕生日。而現(xiàn)在，電影已經(jīng)成為人們生活中的一部分，滿足精神和文化上的雙重享受。丹尼爾?貝爾曾經(jīng)說(shuō)過(guò)“我堅(jiān)信，當(dāng)代文化正逐漸成為視覺(jué)文化……這是人們從19世紀(jì)中葉開(kāi)始經(jīng)歷的那種地理和社會(huì)的流動(dòng)以及應(yīng)運(yùn)而產(chǎn)生的一種新美學(xué)?！睆谋酒陂_(kāi)始，《電影傳奇》就帶你一起在浮光掠影中感受電影文化的魅力。

編者按：說(shuō)到蓋?里奇也許很多中國(guó)人對(duì)他并不熟悉，甚至從未聽(tīng)過(guò)，但他在西方獨(dú)立電影界聲名顯赫，是少數(shù)非科班出身的天才導(dǎo)演，但是如果說(shuō)到寧浩，說(shuō)到《瘋狂的石頭》、《瘋狂的賽車》你就絕對(duì)不會(huì)陌生了，這些在中國(guó)反響熱烈的電影的拍攝手法都來(lái)源于蓋?里奇，本期《電影傳奇》我們就一起來(lái)看看這位“瘋狂”的英國(guó)雅痞蓋?里奇。

Filmography

Lock, Stock and Two Smoking Barrels (1999)

Snatch (2000)

The Hire: Star (2001)

Swept Away (2002)

Revolver (2005)

RocknRolla (2008)

Sherlock Holmes (2009)

電影目錄

《兩桿大煙槍》（1999）

《偷拐搶騙》（2000）

《明星》（2001）

《浩劫妙冤家》（2002）

《轉(zhuǎn)輪手槍》（2005）

《搖滾幫》（2008）

《大偵探福爾摩斯》（2009）

Though he may have enjoyed cultivating his image as a bad boy from the wrong side of the tracks, British filmmaker Guy Ritchie?s roots are steeped in England?s upper class. Nonetheless, Ritchie has directed some of the most stylish caper comedies about blue collar thugs and other lower class misfits ever to emerge from his native land. He?s also famous for being Madonna?s husband – or was, as the two have recently divorced.

盡管他可能享受著將自己打造成來(lái)自貧民階層的壞男孩形象，英國(guó)導(dǎo)演蓋?里奇卻來(lái)自于英國(guó)的上層社會(huì)。雖然如此，蓋?里奇導(dǎo)演了多部關(guān)于工人階層混混以及其它低收入人群的最另類犯罪喜劇，這些都來(lái)自于他的故土。作為麥當(dāng)娜的丈夫也令他名噪一時(shí)——應(yīng)該是曾經(jīng)，最近他們已經(jīng)離婚了。

Who is Guy Ritchie？

誰(shuí)是蓋?里奇？

Guy Ritchie was born in Hatfield, Hertfordshire, UK in 1968. After watching Butch Cassidy and the Sundance Kid (1969) as a child, Guy realized that what he wanted to do was to make films. He never attended film school, saying that the work of film school graduates was boring and unwatchable. Instead, he made his own kind of films.

蓋?里奇于1968年出生于英格蘭赫特福德郡哈特菲爾德。在孩童時(shí)期觀看了《虎豹小霸王》后，蓋?里奇意識(shí)到自己想要拍電影。他從未上過(guò)電影學(xué)校，他認(rèn)為電影學(xué)院畢業(yè)的學(xué)生的作品都很無(wú)聊，沒(méi)有可看性。于是他拍攝了帶有自己獨(dú)特風(fēng)格的電影。

After he dropped out of school, Ritchie got a job which proved to be the start of his film career. The profits that he made from directing promos was invested into writing and making the film The Hard Case (1995), which is a twenty minute short film about a group of blue-collar lads entering a high-stakes poker game. This film demonstrated his fine-tuned ear for working class dialects and penchant for deftly crafted plots centered in the criminal world. Most important, The Hard Case attracted the attention of Sting's wife, Trudie Styler, who invested into his first feature film, Lock, Stock and Two Smoking Barrels. Starting with this movie, Ritchie arrived onto the filmmaking landscape with a unique twist on an old genre that gainfully employed flashy camera moves, punchy dialogue tinged with thick Cockney accents, and a seemingly endless series of double-crosses that landed a motley crew of East End thugs in more trouble than they ever wanted. But once the film was completed, the hard task of getting it distributed then came about, with ten British distributors all turning it down before the film eventually got the attention of Tom Cruise, who saw a screening and laughed his head off. The film finally received distribution in the United States.

在輟學(xué)之后，蓋?里奇找了份工作，后來(lái)被認(rèn)為是他電影職業(yè)生涯的開(kāi)始。他拍廣告片所賺到的錢全都用于投資編寫和拍攝《The Hard Case》——一部20分鐘的短片，講述的是一群下層的混混卷入一個(gè)暴利的紙牌賭博游戲。這部電影展示了他對(duì)工人階級(jí)方言的高超模仿力以及對(duì)熟練剪輯以犯罪世界為中心的故事情節(jié)的強(qiáng)烈嗜好。最重要的是，《The Hard Case》吸引了斯汀的妻子朱蒂?斯蒂勒的注意，隨后她投資了蓋?里奇的第一部電影《兩桿大煙槍》。從這部電影開(kāi)始，蓋?里奇憑借著對(duì)舊電影類型獨(dú)一無(wú)二的改編和顛覆能力開(kāi)始進(jìn)軍電影界。他巧妙地大量使用快鏡頭和喋喋不休的倫敦腔對(duì)白來(lái)營(yíng)造整個(gè)倫敦東區(qū)世界。他的主角們都是一群流氓，通過(guò)一系列出賣欺騙，把自己陷進(jìn)了無(wú)法想象的困境之中。但電影剛拍攝結(jié)束時(shí)，他遇到了最大的難題——如何發(fā)行，而英國(guó)十家發(fā)行商都拒絕發(fā)行這部影片，直到它引起了湯姆?克魯斯的注意。他在觀看了影片后狂笑不止。最終，影片在全美發(fā)行。

His second feature film was Snatch (2000), which was a return to the familiar territory of low-life thugs and working-class gangsters all haphazardly vying against each other for some seemingly unobtainable prize. This time he had a bigger budget and a few more famous faces such as Brad Pitt, Dennis Farina, Benicio Del Toro, as well as with a couple of stars returning from Lock, Stock and Two Smoking Barrels such as Jason Statham, Vinnie Jones and Jason Flemyng. It was also a success, taking a record ￡3 million on its first weekend, but some critics complained it was nothing more than a variation on his previous film.

蓋?里的第二部電影《偷拐搶騙》又回到了熟悉的領(lǐng)域，關(guān)于底層混混和下層流氓為了一個(gè)無(wú)法獲得的財(cái)寶而無(wú)意卷在一起的故事。這次蓋?里奇擁有充足的資金和一些大牌明星，如布拉德?皮特、丹尼斯?法里納、本尼西奧?德?tīng)?托，還有一些來(lái)自《兩桿大煙槍》的明星，像杰森?斯坦森、文尼?瓊斯和杰森?弗萊明。這部電影也很成功，首次周末票房就達(dá)到3百萬(wàn)，但是一些評(píng)論家抱怨說(shuō)這部影片只是第一部影片的翻版。

It was about this time that Ritchie married American music legend Madonna, who is nearly a decade older than him. The celebrated couple?s first product was the controversial music video for Madonna?s hit song What It Feels Like for a Girl, which many other stations refused to air because it depicted Madonna engaging in numerous forms of over-the-top violence. The two reteamed for the fast-paced and mildly amusing short film, Star (2001), which was part of an eight-episode series of high-profile vignettes for BMW. Then they hit the big screen together the following year when Ritchie directed his wife in the romantic comedy Swept Away (2002), a dismal remake of Lina Wertmuller's 1974 Italian film of the same title, in which Madonna plays a spoiled rich woman marooned on a deserted island with a spirited sailor. The movie earned five Golden Raspberry Awards, a mocking equivalent of the Oscars for bad movies, including Worst Actress, Worst Director and Worst Picture.

這時(shí)候蓋?里奇與美國(guó)的音樂(lè)傳奇人物麥當(dāng)娜結(jié)婚了，麥當(dāng)娜比他要大上10歲。這對(duì)名人夫妻的首部作品就是備受爭(zhēng)議的麥當(dāng)娜主打歌《What It Feels Like for a Girl》的音樂(lè)錄影帶，多家電臺(tái)拒絕播放，因?yàn)槠渲忻枥L了麥當(dāng)娜從事多種極端暴力行為。這對(duì)夫妻重新組合在一起拍攝了一個(gè)快節(jié)奏的有趣短片《明星》，這是為寶馬新款跑車拍攝的八個(gè)短篇之一。第二年，他們又憑借蓋?里奇導(dǎo)演、麥當(dāng)娜主演的浪漫喜劇《浩劫妙冤家》沖擊大銀屏，這是一部改編自里娜?韋特繆勒1974年拍攝的意大利同名電影的拙劣之作，其中麥當(dāng)娜扮演了一個(gè)身陷荒島的富家女和一個(gè)英勇的船員的故事。該影片獲得了五項(xiàng)金草莓獎(jiǎng)（一個(gè)模仿奧斯卡金像獎(jiǎng)、向劣片致敬的頒獎(jiǎng)典禮），其中包括最爛女演員、最爛導(dǎo)演和最爛影片獎(jiǎng)。

It was hardly the kind of reception Ritchie was used to. Ritchie was unable to shake off the bad vibes after directing his next film, Revolver (2005), a dense, pretentious and just plain dull return to gangland. Because Ritchie layered the film with numerous hidden spiritual, mystical and psychological references, even star Jason Statham had to watch the film several times until he felt he finally got it. But of the few who did, most only watched once and panned the overly-complicated film outright. This film was both a critical and commercial disappointment.

這不是蓋?里奇過(guò)去所得到的反響。在2005年拍攝了下一部電影《轉(zhuǎn)輪手槍》后他也無(wú)法擺脫惡劣的影響，這只是一部回歸到黑社會(huì)話題的無(wú)聊自負(fù)的電影。因?yàn)樯w?里奇給電影賦予了太多精神上的、神秘的以及心理上的隱晦寓意，即使是明星杰森?斯坦森也必須要看好幾遍才能明白。但是只有少數(shù)人才會(huì)看上好幾遍，大多數(shù)看了一遍就完全放棄了這過(guò)于復(fù)雜的電影。它在評(píng)論和商業(yè)上都差強(qiáng)人意。

In 2008, Ritchie directed a commercial for Nike called Take It to the Next Level. Then he directed his third London gangster movie, Rocknrolla (2008), which was exemplified by Ritchie?s sharp return to his former film style. Now Ritchie is making a new movie, Sherlock Holmes.

2008年，蓋?里奇為耐克拍攝了廣告片《Take It to the Next Level》。然后他又導(dǎo)演了第三部關(guān)于倫敦黑幫的片子《搖滾幫》，這是他迅速回歸到以前電影風(fēng)格的標(biāo)志?，F(xiàn)在蓋?里奇正在拍攝新片《福爾摩斯》。

Unique Filmic Style

另類的電影

Like his more famous American counterpart, Quentin Tarantino, Ritchie has established a unique filmic style. Let?s examine some aspects of it.

想和他地位相當(dāng)?shù)雒拿绹?guó)導(dǎo)演昆汀?塔倫蒂諾一樣，蓋?里奇也建立了自己獨(dú)特的電影風(fēng)格。下面我們就一起來(lái)總結(jié)一下吧。

Postmodernism

后現(xiàn)代主義風(fēng)格

Like television, postmodern movies and films are a mainstay of mass-market American culture, utilising a variety of techniques to create a sense of fragmented narratives and convey the often surreal realities of contemporary life. The range of independent films to big budget Hollywood blockbusters all exhibit many of the postmodern motifs shared by other art forms. In Lock, Stock and Two Smoking Barrels and Snatch, Ritchie uses lots of descriptions and narrations of life to express the central references of postmodernism.

像電視劇一樣，后現(xiàn)代主義風(fēng)格影片也是美國(guó)主流文化市場(chǎng)的中堅(jiān)力量，它利用多種技能來(lái)營(yíng)造出一種支離破碎的敘述方式，傳達(dá)一種現(xiàn)代生活的超現(xiàn)實(shí)的真實(shí)性。從獨(dú)立電影到大制作的好萊塢影片和其它藝術(shù)形式都體現(xiàn)了后現(xiàn)代主義的主旨。在《兩桿大煙槍》中，蓋?里奇通過(guò)對(duì)生命的大量描述和敘說(shuō)來(lái)表達(dá)后現(xiàn)代主義的中心思想。

Ritchie?s movies have fragmented plots and a multi-line narrative, much like Tarantino?s.Whereas Tarantino tends to divide the plot into several clear parts and then do cross development, Ritchie prefers to have multiple viewpoints on a single scene, such as the crash scene in Smash.They also rely heavily on coincidence. In Ritchie?s films, anything is possible, and coincidences can send character?s lives to Hell – or Heaven.

他的電影多為支離破碎的情節(jié)和多線敘述方式，這點(diǎn)和昆汀很像。但昆汀是將情節(jié)分成不同的場(chǎng)景然后再交叉發(fā)展，蓋?里奇更傾向于從多角度來(lái)觀察單個(gè)場(chǎng)景，就像《偷拐搶騙》中那場(chǎng)撞車的戲。他們還非常注重巧合。在蓋?里奇的電影中，任何事都可能發(fā)生，巧合可以送你下地獄，也能送你上天堂。

Quick Montage

快速剪輯

A montage is short sequence of clipped images or actions shown in fast motion, accompanied by sound effects. Richie often reverses cause and effect, introducing the result before telling the reason, which adds a kind of black humor to his works. Multiple characters and intersecting storylines at high speed confuse the sequence of time and convey a powerful, exciting experience to the viewer.

蒙太奇手法是指快速展現(xiàn)一系列連續(xù)的圖片和動(dòng)作，并配上音效。蓋?里奇經(jīng)常本末倒置，在介紹原因之前先表明結(jié)果，這給他的作品增添了一點(diǎn)黑色幽默?？旃?jié)奏下的多角色和交叉情節(jié)將時(shí)間順序打亂，為觀眾們傳達(dá)了一種強(qiáng)有力的刺激體驗(yàn)。

Violence

暴力

Ritchie?s movies are very frequently violent, often casually so. This has caused them to be banned or censored in several countries, but his fans claim it conveys the lifestyle the characters, often criminals, lead, as well as adding a kinetic excitement to the films.

蓋?里奇的電影里常出現(xiàn)暴力，經(jīng)常是很隨意的，這也使得它們?cè)诤芏鄧?guó)家被禁止或者審查，但影迷們宣稱這表達(dá)了角色們像罪犯、首領(lǐng)的生活方式，也給影片增加了激情。

Britishness

英倫風(fēng)

Ritchie?s films are extremely British, both in their use of dry, ironic humor, and in their choice of music. He always prefers to use contemporary British groups, drawing on the rich London music scene. He also makes great use of local color, from the harsh Cockney accents of his characters to the dark streets of the East End of London.

很顯然，無(wú)論是在對(duì)枯燥、反諷的幽默還是音樂(lè)的選擇上，蓋?里奇的電影充斥著濃郁的英倫風(fēng)。他一直都喜歡啟用當(dāng)代英國(guó)的樂(lè)隊(duì)，運(yùn)用豐富多樣的倫敦音樂(lè)場(chǎng)景。他還大量使用當(dāng)?shù)厣?，從主角們的倫敦腔到倫敦東區(qū)的黑色街道。

Guy Ritchie in China

中國(guó)式的蓋?里奇

In China, there is a young director who has been called China's Guy Ritchie, Ning Hao. Most moviegoers know his last movie Crazy Stone, which is about a precious jade piece, and those who want to protect or steal it, but now his new movie Crazy Racer has drawn attention in China. This latest film is a bit more convoluted than Crazy Stone, featuring five groups and more than 10 characters. These characters? lives are interwoven with others in unimagined but convincing and comical ways.

在中國(guó)，有一個(gè)年輕的導(dǎo)演被稱為“中國(guó)的蓋?里奇”，他就是寧浩。大多數(shù)影迷都知道他的上一部電影《瘋狂的石頭》，它圍繞著一個(gè)珍貴的玉石，講述了一群想保護(hù)它和盜竊它的人的故事，現(xiàn)在他的新電影《瘋狂的賽車》又吸引了中國(guó)人的目光，這部最新作品比《瘋狂的石頭》要復(fù)雜一些，其中囊括了五組不同的人馬和10個(gè)以上的角色。這些角色的生活都以一種不可想象但令人信服的喜劇方式糾纏在一起。

We have seen multiple characters and intersecting storylines in several Western films, such as Pulp Fiction, but this is the first film by a Chinese director to use this style. With so much switching and double-switching, coincidences and chance encounters this could be very confusing, but Ning believes audiences won't have trouble understanding the plot despite its complications. Replaying events from different perspectives give the viewer time to digest the intricacy of the situations while enjoying the flash, colourful cinematography. The other thing is there are no big-name stars. However, this kind of low-budget style attracts the audience?s eye, so that the director can find his own comedy pace and style.

我們?cè)谖鞣诫娪爸幸?jiàn)過(guò)多角色和交叉情節(jié)的拍攝手法，像《低俗小說(shuō)》，但這是中國(guó)導(dǎo)演首次使用這種方式。如此多的轉(zhuǎn)換和雙重轉(zhuǎn)換、巧合以及偶遇，這些都很難以理解，盡管如此，寧浩覺(jué)得觀眾們?cè)诶斫鈩∏樯喜粫?huì)有什么問(wèn)題。不斷從各個(gè)角度回放片段讓觀眾們?cè)谛蕾p精彩場(chǎng)景和美麗畫面時(shí)，也給他們時(shí)間來(lái)理解情形的錯(cuò)綜復(fù)雜。另一點(diǎn)值得注意的是影片里幾乎沒(méi)有大牌明星。這種低成本的制作吸引了觀眾，所以導(dǎo)演也找到了自己的喜劇步調(diào)和方式。

Perhaps Ning Hao copies Ritchie?s style too directly, though, and it may not survive after this movie. In Crazy Race, the ending is rather weak, with no twists or surprises. We hope that he?ll develop his range further in his own movies, however. Ritchie suffers from the same problem; none of his later movies can really compare to Lock, Stock, and Two Smoking Barrels.

可能寧浩太過(guò)于模仿蓋?里奇的風(fēng)格，這部影片之后也許就沒(méi)有市場(chǎng)了。在《瘋狂的賽車》中結(jié)局太過(guò)平淡，毫無(wú)曲折和意外，我們希望他能夠發(fā)展屬于自己的電影。蓋?里奇也面臨著同樣的問(wèn)題，他的后期作品沒(méi)有一部能夠比得上《兩桿大煙槍》。

Now Ritchie is busy working on his new movie Sherlock Holmes - based on Sir Arthur Conan Doyle's famous super-sleuth – which sees Holmes engage in a homoerotic relationship with his sidekick Dr. Watson. Robert Downey Jr. - who plays the crime-busting detective opposite Jude Law's Doctor Watson – said, ?We?re two men (Holmes and Watson) who happen to be room-mates, wrestle a lot and share a bed.? According to reports, Sherlock is seen sharing a bed with Dr. Watson. They're also shown doing some down home 'man-to-man' wrestling! Perhaps this bold new homoerotic approach to a Victorian classic will spark a new style, and more successes, for this filmmaker.

現(xiàn)在蓋?里奇正忙于拍攝他的新電影《福爾摩斯》——根據(jù)阿瑟?柯南?道爾爵士著名的偵探小說(shuō)改編——在這部影片中我們會(huì)看見(jiàn)福爾摩斯與他的搭檔華生醫(yī)生陷入了同性戀情。影片由小羅伯特?唐尼扮演偵探福爾摩斯， 裘德?洛扮演華生醫(yī)生，小羅伯特?唐尼說(shuō)：“我們兩個(gè)（福爾摩斯和華生）剛好是室友，共用一張床，經(jīng)?！?。”根據(jù)報(bào)道說(shuō)，福爾摩斯和華生醫(yī)生是睡在一張床上的。他們還會(huì)上演“男人和男人”的肉搏戰(zhàn)！對(duì)于蓋?里奇來(lái)說(shuō)，可能這種從同性戀情的角度來(lái)演繹這部維多利亞時(shí)期經(jīng)典故事的拍攝手法會(huì)促成新的電影模式和類型，也許會(huì)更成功。

寧浩

1977年出生于中國(guó)山西，畢業(yè)于北京電影學(xué)院攝影系。寧浩的學(xué)生電影《星期四，星期三》（2001）獲得了當(dāng)年北京大學(xué)生電影節(jié)最佳導(dǎo)演獎(jiǎng)和中國(guó)大學(xué)生電影數(shù)碼媒體競(jìng)賽銀獎(jiǎng)。寧浩的首部電影處女作《香火》（2003）在瑞士羅卡洛舉行了首映，并獲得東京銀座電影節(jié)大獎(jiǎng)，之后又獲得香港國(guó)際電影節(jié)亞洲D(zhuǎn)V競(jìng)賽單元金獎(jiǎng)。該電影同時(shí)被香港藝術(shù)中心授予2004年最佳電影，也是圣賽瓦斯蒂安、溫哥華、慕尼黑、馬尼拉、悉尼、加州、臺(tái)灣南方影展等其他七大國(guó)際電影節(jié)的評(píng)委會(huì)入選影片。他的新作《綠草地》入選2004年柏林電影節(jié)和香港電影節(jié)，并獲得上海電影節(jié)亞洲區(qū)最受歡迎獎(jiǎng)。該片在紐約上映期間獲得了紐約時(shí)報(bào)的高度。2006年得到廣泛好評(píng)的低成本影片《瘋狂的石頭》使寧浩名聲鵲起?！动偪竦馁愜嚒肥菍幒婆c中影華納橫店影視有限公司再次推出的力作，也受到普遍的好評(píng)。

Tips

Classic Lines

經(jīng)典臺(tái)詞

寧浩的電影里充斥著蓋?里奇式的黑色幽默，我們就一起來(lái)感受一下帶有中國(guó)本土特色的爆笑臺(tái)詞。

《瘋狂的石頭》

黑皮：“牌子啊！班尼路！”

——民工用假名牌,然后向別人炫耀。中國(guó)人用假名牌的做法太過(guò)普及，用假名牌不可恥的思想也已經(jīng)深入骨髓了。中層人士用名牌或假名牌滿足自己的虛榮心，下層或者普通民眾則是明知道是假名牌仍然樂(lè)此不疲地購(gòu)買。

你侮辱了我的人格，還侮辱我的智商。

——道哥女友被人泡了，還誤把真寶石放回去換了個(gè)假寶石回來(lái)，他向廠長(zhǎng)的兒子“算賬”時(shí)說(shuō)。

經(jīng)理怒道：“狗日的，高科技啦，還搞無(wú)人駕駛。沒(méi)看到我的車上寫著別摸（ＢＭＷ）我么？ ”

——包世宏偷拿廠里的車練習(xí)車技。豈料從纜車上掉下一罐可樂(lè)，砸碎了他的車窗。包下車查看忘拉手剎。車自行滑坡撞上了經(jīng)理的寶馬。

《瘋狂的賽車》

“我要你看一下，啥叫干一行，愛(ài)一行?！?/p>

——“哼哈二將”（也就是電影里的笨賊）中的姐夫向膽小的妹夫示范怎么殺人。

“你敢不娶我妹，我就不娶你姐，反正你姐肚子已經(jīng)讓我搞大了”。

——“哼哈二將” 的姐夫向膽小的妹夫說(shuō)要賺錢然后結(jié)婚生子。

妹夫心虛說(shuō)：“我們這叫不叫多行不義必自斃？”姐夫一臉嚴(yán)肅說(shuō)：“沒(méi)有膽量哪來(lái)的產(chǎn)量？”

——“哼哈二將”將“目標(biāo)”（雇主老婆，一個(gè)肥婆）抓到車上。

“利潤(rùn)高?。∮媚愕脑拋?lái)說(shuō)，機(jī)會(huì)決定命運(yùn)！”

——因?yàn)楸緛?lái)要謀殺的“目標(biāo)”出了比自己原來(lái)雇主更高的價(jià)錢，“哼哈二將”見(jiàn)錢眼開(kāi)，決定反過(guò)來(lái)把“目標(biāo)”當(dāng)客戶。

“俺是職業(yè)殺手都下不了手，你也太狠心了！”

——“客戶”誤殺了自己的老婆，“哼哈二將”發(fā)出如上驚嘆。

“地下CBD，人生后花園！這么好的服務(wù)，我天天在這里工作，都恨不得給自己來(lái)一全套！”

——徐崢扮演的墓葬推銷商大力向黃渤扮演的耿浩推銷一套高級(jí)墓地兼“十八相送”服務(wù)。

黑老大：“幫我再查一下?！?/p>

小姐甲鎮(zhèn)定地說(shuō)：“我已經(jīng)查了所有的Zoom（room）都沒(méi)有，我們的酒店是英特耐舍nou（internationl）?！?/p>

小姐乙暴跳如雷，扯開(kāi)嗓子大叫：“我都告訴你多少遍了，沒(méi)有就是沒(méi)有，我們這可是五星級(jí)酒店??？！？”

——黑幫老大在賓館前臺(tái)要求小姐確認(rèn)入住顧客。

Notes

1. wrong side of the tracks

意為“城市中貧民區(qū)、貧民階層”，而born on the wrong side of the tracks就是指出身貧苦。

例句：The magazine revealed that the film star had been born on the wrong side of the tracks.

該雜志透露這位電影明星出身貧寒。

2. steep in

意為“漬、泡；充滿、專心于、沉湎于；精通于、習(xí)慣于”。

例句：David steeps himself in the music world.

大衛(wèi)沉湎于音樂(lè)的世界中。

3. drop out of

意為“不參與、退出、退學(xué)”。

例句：She must drop out of the competition because of a cold.

她因?yàn)楦忻氨仨毻顺霰荣悺?/p>

4. his fine-tuned ear for…

fine-tuned 經(jīng)常是用來(lái)形容樂(lè)器，但在該句中是指 “very good at hearing how people speak”，所以，a fine-tuned ear for dialect'”就是指他善于復(fù)制、模仿別人的方言或者土語(yǔ)。

5. draw on

意為“穿上, 戴上；漸漸來(lái)臨；鼓勵(lì)；利用”，在文中是“利用、使用”的意思。

例句：In making plans we must draw on designers' suggestions.

在定計(jì)劃時(shí)要吸收設(shè)計(jì)師的意見(jiàn)。

Links

Golden Raspberry Awards

金草莓獎(jiǎng)

金草莓獎(jiǎng)是由約翰?威爾遜在1981年設(shè)立，由“金草莓獎(jiǎng)基金會(huì)”組織評(píng)選，由650多位來(lái)自美國(guó)及其他19個(gè)國(guó)家的評(píng)審委員投票選出，每年都搶先在奧斯卡金像獎(jiǎng)?lì)C獎(jiǎng)之前揭曉，借以向備受傳媒批評(píng)的劣片致敬。金草莓獎(jiǎng)是個(gè)錯(cuò)誤的翻譯。Raspberry在中文里的翻譯是“覆盆子”，而不是草莓。由于覆盆子在中文里的知名度沒(méi)有草莓那么高，最初翻譯Golden Raspberry Awards這個(gè)名字的人很可能是為了考慮到大眾的詞匯量而故意錯(cuò)譯的。

而今年麥克?麥爾斯主演的《愛(ài)情大師》優(yōu)勢(shì)明顯，共獲七項(xiàng)提名，狂攬年度最爛影片、最爛男主角與最爛劇本等大獎(jiǎng)。話題女星帕麗斯?希爾頓《愛(ài)上野豬妹》獲選最爛女主角與最爛銀幕搭檔，另外還以《莎拉?布萊曼之生化歌劇》拿下最爛女配角?！秼寢屵溲健分械钠査?布魯斯南被選為最爛男配角。烏維波爾以《末日危城：王者之役》、《鼠戰(zhàn)密洞》及《喋血街頭》三部執(zhí)導(dǎo)作品被選為年度最爛導(dǎo)演。