作者：馬可·卡薩格蘭

地點(diǎn)：比利時(shí)韋德市

尺寸：長(zhǎng)45米，寬10米，高10米

室內(nèi)面積：320 m2（新建）

完工：2012年

攝影：Nikita Wu

Author: Marco Casagrande

Location: Wenduine, Belgium

Measures: 45 m long, 10 m wide, 10 m high

Interior space: 320 m2

Completed: 2012

Photos: Nikita Wu

沙蟲是坐落在比利時(shí)韋德市沿岸沙丘上的有機(jī)建構(gòu)/空間/創(chuàng)造體。建筑有機(jī)的拱形外殼是用柳條編織而成的，總長(zhǎng)45米，寬10米，高度則各不相同。沙蟲彎曲的形態(tài)與比利時(shí)小鎮(zhèn)上的沙丘融為一體。以作品和環(huán)境持續(xù)交互的“當(dāng)?shù)刂R(shí)”為依據(jù)，這座高大的景觀裝置，是一件自由游走于建筑及環(huán)境藝術(shù)之間的作品。建筑師卡薩格蘭及其年輕建筑師團(tuán)隊(duì)歷時(shí)4周，與當(dāng)?shù)貙＜夜餐芯苛鴹l材料，并討論出“弱建筑”的命題，意思是“通過靈活和有機(jī)性設(shè)計(jì)成為與自然相融合的人工建筑”。

Sandworm is an organic structure/space/creature realized on the dunes of the Wenduine coastline, Belgium. The 45 meters long and 10 m wide and high installation moves freely inbetween architecture and environmental art and is constructed entirely out of willow following the local knowledge of a continuing interaction between work and environment. Casagrande worked hard with his team of young architects and local experts for 4 weeks in order to create something that he describes as “weak architecture” – a human made structure that wishes to become part of nature through flexibility and organic presence.

游客們將沙蟲譽(yù)為柳木大教堂，因地制宜，很好地適應(yīng)了韋德市潮灘的具體情況。該空間可用于享用野餐，放松心情，也可以漫步其中進(jìn)行后工業(yè)冥想。

The visitors are describing the Sandworm as a willow cathedral finely tuned to celebrate the site specific conditions of the Wenduine tidal beaches. The space is used for picnics, relaxation and post industrial meditation.

“在沙蟲建筑內(nèi)部，你將見到一場(chǎng)自然的光影奇觀。當(dāng)時(shí)我被震撼到了：怎么會(huì)有人可以用這樣簡(jiǎn)單的自然材料創(chuàng)造出如此令人驚艷的美！建筑師認(rèn)為，建筑的控制性違背自然也因此違背建筑本身。這樣的‘建造人文環(huán)境’能夠協(xié)調(diào)人和大自然之間的關(guān)系，使之和諧共存。想要融入自然，人類必須是弱的。對(duì)芬蘭藝術(shù)家馬可·卡薩格蘭而言，設(shè)計(jì)是先天不足的，設(shè)計(jì)不能取代現(xiàn)實(shí)。建筑必須超越一切地址場(chǎng)所，必須適應(yīng)環(huán)境，它必須反映生命，也反映自身，就像其他所有生物一樣?！薄?彼得·拜延

“Inside the sandworm you are greeted by a natural spectacle of light and shadow. I was amazed.How you can create such beauty with such simple natural materials. The artist believes that architectural control goes against nature and thus also agains architecture. The built human environment is a mediator between human nature and nature itself. To be part of this, man must be weak. To the Finnish artist Marco Casagrande designing is not sufficient. Design should not replace reality. The building must grow out of the location, it must react to its environment, it must be a reflection of life and also be itself, as every other living being.” - Peter Beyen