奧斯陸古城區(qū)的修復(fù)、填充項(xiàng)目以及新辦公空間。

地點(diǎn)：挪威奧斯陸

面積：16 500m2 辦公

日期：1996年

獎(jiǎng)項(xiàng)：建筑遺產(chǎn)獎(jiǎng)（卓寧根蒙3號的修整），1996年混凝土面板獎(jiǎng)，2002年城市獎(jiǎng)，2006年奧斯陸議會銀禧獎(jiǎng)。

攝影：Jiri Havran

Restoration, infill project and new office space in the historical city of Oslo.

Location: Oslo, Norway

Size: 16 500m2 office

Year: 1996

Awards: Architectural heritage award (Dronningensgate 3 restoration), The concrete panel prize 1996, The City Prize 2002, Oslo Council’s Jubilee Prize 2006.

Photo: Jiri Havran

克里斯蒂·科瓦塔雷特是奧斯陸老城區(qū)常規(guī)網(wǎng)格模式布局的一部分，其歷史可追溯到1624年克里斯蒂國王的四號計(jì)劃。

顏色、材料及細(xì)部都體現(xiàn)了城市這一部分的歷史重要性。

在玻璃頂?shù)暮笤褐?，建筑物因各種鮮艷顏色及屋頂露臺而彼此相輔相成。

最理想的情況應(yīng)該是將城市居住結(jié)構(gòu)中的一個(gè)街區(qū)作為一棟單獨(dú)建筑，其中每個(gè)元素都有助于建立一個(gè)和諧延續(xù)及變化的主旋律。建筑的墻壁都有不同方面的體現(xiàn)，因其周圍的街道及露天空地不同，身份和重要性也各不相同。

遺憾的是，現(xiàn)實(shí)很少與我們的期望保持一致。一些街區(qū)的建筑位置很有問題，它們彼此相對形成了鮮明的反差，因此阿斯佩林·拉姆決定要在最大程度上修復(fù)這個(gè)問題。該委托包括了卓寧根蒙3號的全面恢復(fù)（約建于1840年），以及設(shè)計(jì)一幢新建筑用以替代朝向格魯·溫德爾絲·賽普拉斯的近乎廢棄的房子。

我們的目標(biāo)是，與街道的其它部分相聯(lián)，保留與挪威銀行那樣相同的精細(xì)、整齊的規(guī)模，又同時(shí)建基于兩邊老舊側(cè)翼外墻嚴(yán)謹(jǐn)含蓄的垂直結(jié)構(gòu)。沿河岸的挪威銀行外立面“正中”帶有銅線的韻律，經(jīng)由圍繞著支柱結(jié)構(gòu)而巧妙實(shí)現(xiàn)的玻璃材質(zhì)的細(xì)節(jié)得以在我們這邊街道上展現(xiàn)，且我們給予其較側(cè)翼更低的飛檐線條。我們試圖以帶彩的混凝土表明一種清晰的“立場”，這與街道更深處的挪威老銀行十分相像。

The Christiania Qvartalet city block is part of the regular gridded pattern in the old city of Oslo,dating back to King Christian IV plan of 1624.

Colours, materials and details refect the historical importance of this part of the city.

In the glass covered backyard the buildings enrich each other by various bright colours and terraced roofs.

It should ideally be possible to regard a street block within the living fabric of a city as a single building, in which each individual element contributes to a harmonious continuation of and variation on a main theme. The walls of the block all have different aspects, as the surrounding streets and open spaces all have different identities and importance.

Sadly, reality is seldom as we would wish. Some of the buildings on the block in question stood in glaring contrast to each other when Aspelin Ramm decided to revitalise the largest of them. The commission included the complete restoration of Dronningens gate 3 (ca 1840), and a design for a new building facing Grew Wedels plass to replace a near-derelict house.

Our aim was to retain the same fne, neat scale seen in the Bank of Norway in relation to the rest of the street and at the same time build on the cautiously intimated verticals of the facade structure of the two older wings on each side. The rhythm of the Bank of Norway’s facade along Revierstredet,with its copper “middle”, was interpreted on our side of the street by lightly executed glass detailing around the pillar structure which we also gave a lower cornice line than the side wings. W e chose to signal a clear “standpoint” in favour of concrete with a colour that is very like that of the old Bank of Norway further up the street.

城市街區(qū)平面圖 City block plan with infill offices and glazed courtyard