第二期《熱點人物》我刊關(guān)注的是胡介鳴先生，他的藝術(shù)裝置作品在厚實凝重之間往往更寓意深遠，令人感嘆。

本期的一系列新媒體展覽都頗具新意，藝術(shù)國際的群展“云圖”，高更畫廊的“90后藝術(shù)新力量作品展”，言午畫廊的開年首展“我們何以成為我們”，在構(gòu)思和選材上都頗具新意。

另外羅杰·拜倫、草間彌生的展覽回顧也能發(fā)人深省。本期《藝術(shù)視野》我們還有幸請到建筑師任軍先生撰寫長文《未來建筑的歷史》。其他數(shù)篇理論文章則多致力于探討新媒體藝術(shù)與傳統(tǒng)藝術(shù)形態(tài)之間的相互包容關(guān)系。

天津美術(shù)學(xué)院學(xué)報執(zhí)行主編 邵亮

2017年2月

[Editorial]

Hotspot Figures of this issue focuses on Mr.Hu Jieming, whose installation works always covey an amazingly deep meaning to the audience.

This issue presents a series of new media exhibitions, which are all innovative both in composition and material selection, including: Images on the “Cloud” : Artintern “Group” Exhibition; New Artistic Force of the Post-90s Generation at GauGuin Gallery; and “What Makes Us Who We Are,” the first exhibition at Xu Gallery in the new year.

Thought-provoking exhibition reviews on Roger Ballen and YayoiKusama are also included in this issue.In Art Vision we are honored to present an article “The History of Future Architecture”, by Mr.Ren Jun, an architect.And there are several theoretical papers addressing mutual tolerance between new media art and traditional art in this issue.

Shao Liang, executive chief editor of Journal of Tianjin Academy of Fine Arts

February 2017