Li Cuizhens traditional Chinese paintings seem to be"reproducing" realistic painting on the surface, however, her works are concentrated expression of her strong personality. She integrates the perceptual form of natural Chinese paintings with the "Dao" as a whole, so that the shape of the material object is filled with vitality and full of a sense of"fun and spirit", achieving its pursuit of the aesthetic value of traditional Chinese landscape painting.
著名評(píng)論家許恩來(lái)曾說(shuō):李翠珍的中國(guó)畫(huà),似在經(jīng)意不經(jīng)意之間,都在遵循著這一映涵關(guān)系的原則,而且在進(jìn)行極致的追求。表面看來(lái)她的中國(guó)畫(huà)似乎仍是“再現(xiàn)”型的寫(xiě)實(shí)繪畫(huà),其實(shí)不然,實(shí)則是“再現(xiàn)”之中濃縮著強(qiáng)烈的個(gè)性表現(xiàn)力,她把自然中國(guó)畫(huà)的感性形態(tài)(即宗炳所謂的質(zhì)有)和“道”完全作為一個(gè)交融一體的存在,使客觀物質(zhì)對(duì)象的形在畫(huà)幅之中充滿(mǎn)了生機(jī)、飽蘊(yùn)著“趣靈”感,實(shí)現(xiàn)了其對(duì)傳統(tǒng)中國(guó)山水畫(huà)審美價(jià)值的追求。其筆墨技巧嫻熟,構(gòu)圖有膽有勢(shì),心手相應(yīng),意到筆到,氣脈貫通生機(jī)勃勃,永遠(yuǎn)充滿(mǎn)生命力,達(dá)到了心中有畫(huà),畫(huà)中有魂的境界!
Born in 1963 in Heze city of East Chinas Shandong province, Li Cuizhen with pen names as Dongfang Wenmo, Lantian and Yinjuan, now is the Dean of Songzhuang International Academy of Calligraphy and Painting, and a member of Hong Kong Literati and Artists Association.
Ms. Li has persisted in studying calligraphy and fine arts for over three decades, and conducted in-depth research on the painting styles of older generations of traditional Chinese painting masters, such as Li Keran, Zhang Daqian, Qi Baishi, etc., forming her personal painting style that perfectly fuses the tradition and the modern. Her works have been displayed at domestic and overseas exhibitions and collected by wellknown institutions like Oxford University and individuals.
李翠珍(東方文墨,曾用筆名藍(lán)田、印卷),女,1963年生于山東菏澤。宋莊國(guó)際書(shū)畫(huà)院院長(zhǎng),香港文聯(lián)美術(shù)家協(xié)會(huì)會(huì)員。
堅(jiān)持書(shū)法、美術(shù)學(xué)習(xí)與創(chuàng)作30多年。書(shū)法師承王羲之、趙孟頫、文徵明行書(shū)之意,并對(duì)毛體情有獨(dú)鐘,對(duì)歐陽(yáng)中石、武中奇等老一輩書(shū)法大師書(shū)體進(jìn)行了學(xué)習(xí)和研究;國(guó)畫(huà)師承古人范寬、李成、石濤等,對(duì)李可染、張大千、齊白石等老一輩國(guó)畫(huà)大師的繪畫(huà)風(fēng)格進(jìn)行了深入的學(xué)習(xí)和研究;并對(duì)恩師石齊先生的新中國(guó)畫(huà)“點(diǎn)自家燈火”的繪畫(huà)理念進(jìn)行了詮釋。在繼承傳統(tǒng)筆墨語(yǔ)言的基礎(chǔ)上不斷創(chuàng)新,獨(dú)創(chuàng)了“積墨疊彩”的技法,形成傳統(tǒng)與現(xiàn)代完美融合的新中國(guó)畫(huà)畫(huà)風(fēng)。
2015年,應(yīng)邀參加“中國(guó)夢(mèng) 環(huán)球行”歐洲演講團(tuán)大型文化交流活動(dòng),作品被牛津大學(xué)、劍橋大學(xué)等單位及個(gè)人收藏。
2014年,應(yīng)邀參加“馬中友誼 福澤萬(wàn)民”大型書(shū)畫(huà)交流展,作品被中國(guó)駐馬來(lái)西亞大使館等單位及個(gè)人收藏。
2014年,參加“中國(guó)夢(mèng).丹青頌”中國(guó)書(shū)畫(huà)名家赴馬來(lái)西作品邀請(qǐng)展,作品被馬來(lái)西亞?wèn)|方藝術(shù)機(jī)構(gòu)等單位及個(gè)人收藏。
2013年,參加中華國(guó)粹書(shū)畫(huà)藝術(shù)巡展,赴臺(tái)灣進(jìn)行書(shū)畫(huà)藝術(shù)交流,作品分別在中國(guó)臺(tái)灣、美國(guó)、韓國(guó)展出,作品被有關(guān)單位及個(gè)人收藏。
2010年,應(yīng)邀參加首屆中國(guó)書(shū)畫(huà)百幅作品香港展,作品被有關(guān)單位及個(gè)人收藏。(責(zé)編 寧文英)
世界知識(shí)畫(huà)報(bào)·藝術(shù)視界2018年5期