項(xiàng)目地址：中國(guó)南昌

業(yè)主單位：南昌萬(wàn)科房地產(chǎn)有限公司

占地面積：4 175.16 平方米

建筑面積：1 192.45 平方米

設(shè)計(jì)單位: 上海日清建筑設(shè)計(jì)有限公司

總建筑師：宋照青

設(shè)計(jì)團(tuán)隊(duì)：趙晶鑫、方異辰、李哲翔

景觀設(shè)計(jì)：LANDAU朗道國(guó)際設(shè)計(jì)

室內(nèi)設(shè)計(jì)：LSDCASA

完成時(shí)間：2018年

照片攝影：行知影像

Project location: Nanchang, China

Client: Nanchang Vanke

Site Area: 4 175.16 m2

Build Area: 1 192.45 m2

Design Firm: Lacime Architects

Chief Architect: Song Zhaoqing

Design Team: Zhao Jinxing, Fang Yichen, Li Zhexiang

Landscape Design: LANDAU Design

Interior Design: LSDCASA

Completion Date: 2018

Photography: Xingzhi Architecture

項(xiàng)目位于南昌市象湖西岸，新城大尺度的街區(qū)形態(tài)顯著區(qū)別于老城的“自然”結(jié)構(gòu)?！半蹰w三角洲”南流的撫河試圖保留這個(gè)城市的山水特征，并將橋梁轉(zhuǎn)變?yōu)槌鞘性O(shè)計(jì)的主要元素。本案欲意取證這座當(dāng)代城市的形態(tài)記憶，留守文脈邊陲。

萬(wàn)壽宮與萬(wàn)壽塔分居象湖南北，視覺(jué)體系可謂廣袤。項(xiàng)目的最初創(chuàng)意是抬升地形，保留城市綠地并建造一個(gè)新的建筑，填補(bǔ)沿湖規(guī)劃形成的地標(biāo)節(jié)點(diǎn)空白。

借助類(lèi)型學(xué)概念，將有雕塑感的環(huán)橋植入進(jìn)了設(shè)計(jì)理念，既作為主體建筑的連接器，也是對(duì)于相鄰九州大街下穿隧道的回應(yīng)。

The project is located on the west bank of Xianghu Lake, Nanchang City. The large-scale block form of the new town is markedly different from the “natural” structure of the old town. Fuhe River that flows south from the “Tengwangge Delta” tries to preserve the landscape characteristics of this city,and turns the bridge into a major element in the urban design. The project intends to obtain evidence from the morphological memory of this contemporary city, and remains in the frontier of the cultural landscape.

The Wanshou Palace and Wanshou Tower are located on the south and north bank of Xianghu Lake respectively, and thereby acquire a vastness in terms of perception. The original idea of the project was to elevate the terrain, preserve the urban green space, and erect up a new building to fill the gap in the landmark nodes resulted from the along-the-lake planning.

Relying on the typology concept, the ring bridge with a sense of sculpture is embedded into the design concept, which serves both as a connector for the main building and as a response to the undercrossing tunnel in the adjacent Jiuzhou Street.

體量上將矩形展廊嫁接在兩進(jìn)院落之上，接待大廳，展示大廳，休息區(qū)橫向排開(kāi)。下方的一進(jìn)院落向北開(kāi)放，通過(guò)圍合環(huán)橋形成的弧形墻體引導(dǎo)觀眾向入口靠攏。二進(jìn)院落縱向布置辦公區(qū)，同時(shí)向南側(cè)外部庭院開(kāi)放。以此為空間框架，環(huán)橋?qū)?cè)不失時(shí)機(jī)地展開(kāi)擴(kuò)容，形成了門(mén)廳的前導(dǎo)區(qū)。由不同尺度的空間累積，平面及高度上的形體復(fù)制，帶來(lái)了兩部分建筑之間的一種動(dòng)態(tài)而克制的獨(dú)特觀感。

本案的結(jié)構(gòu)設(shè)計(jì)不僅僅是解決并實(shí)現(xiàn)承載功能，要進(jìn)而揭示其背后的形式邏輯，我們最終采用的單側(cè)懸掛箱形梁解決了設(shè)計(jì)中的關(guān)鍵問(wèn)題：如何將靈活自治的部件融合，從而形成一個(gè)產(chǎn)生內(nèi)聚力的整體。

穿過(guò)城市綠地，抵達(dá)去紀(jì)念性的庭院入口，左側(cè)為玻璃門(mén)廳，直入長(zhǎng)達(dá)21米結(jié)構(gòu)跨度下的休憩區(qū)或移步登上右方的環(huán)橋。兩條流線(xiàn)的起點(diǎn)也是終點(diǎn)，重點(diǎn)是架空層作為設(shè)計(jì)的重要理念，創(chuàng)造了小型建筑的公共性。

我們要?jiǎng)?chuàng)造的就是這樣一個(gè)寂靜、有力的公共領(lǐng)域，有形的環(huán)形結(jié)構(gòu)創(chuàng)造了無(wú)形多維的流線(xiàn)，雕塑化的環(huán)形架構(gòu)給予了層層推進(jìn)的景別。

作為墻體的建筑扮演了非常重要的角色，承重的院墻更加凸顯了建筑最終形式的水平排列結(jié)構(gòu)。19 000塊25度灰色水泥板掛在親地化的體量上，創(chuàng)造出極簡(jiǎn)的細(xì)節(jié)。

The rectangular gallery is grafted onto the two courtyards in terms of its volume, and the reception hall,exhibition hall, and lounge are horizontally arranged. The lower courtyard opens to the north, and guides the spectators toward the entrance through the arc-shaped wall formed by the enclosed ring bridge. The office area is vertically arranged in the two courtyards, which are open to the external courtyard on the south side. Using it as a space frame, the opposite side of the ring bridge expands naturally to form the leading area of the foyer. The space accumulation on different scales, the replication of shapes on the plane and in the altitude bring a dynamic, yet restrained and unique perception for the two buildings.

The structural design of this project is not only to solve and realize the bearing function, but to reveal the formal logic behind it. The final one-sided suspending box girder that we finally adopt solves the critical problem in the design: how flexible and autonomous parts are integrated to form a whole that generates cohesion.

Wander through the urban green space and get to the commemorative entrance to the courtyard. On the left is the glass foyer, through which, one can enter straightly into the resting area under the 21M structure span, or step onto the ring bridge on the right. The starting points of two streamlines are also the ending points. The focus is the use of the empty space as a critical concept of design, creating a public space for small buildings.

What we want to create is such a quiet and powerful public space. The tangible ring structure creates an invisible multi-dimensional streamline,and the sculptured ring structure presents an impression of progressive landscapes.

The wall plays a very important role in the building, and the bearing courtyard wall highlights all the more the horizontal arrangement structure for the final form of the building. 19,000 25-degree gray floor slabs are hung on the volume that has an affinity with the ground to create the simplest details.