殷碩：美麗舞者成為國(guó)寶守護(hù)人

俞吉吉

西子湖畔，古都杭州，矗立千載見(jiàn)證繁庶越地。作為中國(guó)古代文明的發(fā)祥地之一，浙江素有“絲綢之府，文物之邦”的美譽(yù)。在這片歷史悠久、文化燦爛的土壤上，浙江人用自己的智慧筑成了一座獨(dú)具匠心的“園中館，館中園”——浙江省博物館。

1月28日19時(shí)30分，央視綜藝頻道（CCTV-3）大型文博探索節(jié)目《國(guó)家寶藏》迎來(lái)了浙江省博物館特輯。節(jié)目中，青年演員任重、“老戲骨”孫淳以及“90后”金馬影后周冬雨驚喜現(xiàn)身，一同守護(hù)寧波“萬(wàn)工轎”、落霞式“彩鳳鳴岐”七弦琴、玉琮這三件萬(wàn)里挑一的傳世國(guó)寶。

在《國(guó)家寶藏》浙博篇中，有一個(gè)美麗舞者的身影格外搶眼，她用一段柔美的古典舞別樣詮釋了寧波的婚嫁習(xí)俗——十里紅妝，也與明星任重和來(lái)自國(guó)家話劇院的常務(wù)副院長(zhǎng)王曉鷹一起成為了國(guó)寶萬(wàn)工轎的護(hù)寶人。

萬(wàn)工轎是清末民初寧波式花轎，因制造時(shí)耗費(fèi)了一萬(wàn)多個(gè)工時(shí)，故稱“萬(wàn)工轎”。此轎需八個(gè)人抬，又稱“八抬大轎”，是現(xiàn)存最豪華的一頂花轎，木質(zhì)雕花，朱漆鋪底飾，以金箔貼花，遠(yuǎn)遠(yuǎn)望去金碧輝煌，猶如一座微型的宮殿。轎上采用圓雕、浮雕、透雕等三種工藝手法進(jìn)行裝飾，雕有250個(gè)人物，花鳥(niǎo)蟲(chóng)獸無(wú)數(shù)，所以寧波人也稱它為“百子轎”。

在《國(guó)家寶藏》浙博篇中擔(dān)任國(guó)寶萬(wàn)工轎護(hù)寶人的舞者叫殷碩，是溫州籍的青年舞蹈家，還曾在去年的“一帶一路”國(guó)際合作高峰論壇文藝晚會(huì)中擔(dān)任領(lǐng)舞，演繹敦煌壁畫(huà)中的反彈琵琶。節(jié)目組為何會(huì)挑選她作為國(guó)寶守護(hù)人，她與萬(wàn)工轎和寧波的十里紅妝又有怎樣的淵源呢？記者也在節(jié)目播出后的第一時(shí)間聯(lián)系上了這位美麗的舞者。

“我冥冥中和萬(wàn)工轎有一份解不開(kāi)的緣分”。殷碩表示。

原來(lái)，身為舞者的殷碩曾在民俗風(fēng)情舞劇《十里紅妝·女兒夢(mèng)》中飾演女主角，還在生活中坐了自己人生的花轎，這份冥冥之中的緣分，也讓節(jié)目組最終選擇她作為萬(wàn)工轎今生守護(hù)人。

這份緣分還要從2009年說(shuō)起。

2009年4月，一部展現(xiàn)浙東婚嫁風(fēng)俗“十里紅妝”的民俗風(fēng)情舞劇《十里紅妝·女兒夢(mèng)》在寧波大劇院首演，在劇中扮演主角“越兒”的舞蹈演員殷碩，也是2008年北京奧運(yùn)會(huì)開(kāi)幕式上獨(dú)舞《絲路》中的“飛天女神”。

殷碩出生在一個(gè)文藝之家，父母、舅舅、表姐等都從事相關(guān)工作，從小耳濡目染。從浙江省藝術(shù)學(xué)校舞蹈系畢業(yè)后，殷碩由杭州前往北京求學(xué)，以第一名的成績(jī)考入北京舞蹈學(xué)院古典舞系。在2006年的第八屆全國(guó)“桃李杯”舞蹈比賽中，她以獨(dú)舞《家·梅表姐》捧回了表演銀獎(jiǎng)，后來(lái)在第四屆 CCTV 電視舞蹈大賽中獲得表演獎(jiǎng)，也正是因?yàn)檫@次演出，北京奧運(yùn)會(huì)開(kāi)幕式導(dǎo)演組關(guān)注到了她。

在寧波市歌舞團(tuán)籌備《十里紅妝·女兒夢(mèng)》的時(shí)候，殷碩身上獨(dú)有的江南水鄉(xiāng)味道，讓她成為最早被確定的主演。“我在寧波排練了很長(zhǎng)時(shí)間，從夏天到秋天，印象最深的是，幾乎每一次排練結(jié)束，排練服都完全濕透?！币蟠T說(shuō)，這是一部有豐富內(nèi)涵的舞劇，自己非常喜歡，而且這段排演經(jīng)歷對(duì)她在日后人物塑造上的影響很大。

《十里紅妝·女兒夢(mèng)》對(duì)殷碩的影響在生活里延續(xù)，她還告訴記者，婆婆第一次看到她就是通過(guò)《十里紅妝》，當(dāng)時(shí)她和先生還只是普通朋友。

“結(jié)婚的時(shí)候，寧波歌舞團(tuán)還送了一套和舞劇里‘十里紅妝一樣的嫁衣給我，像娘家人一樣，太感動(dòng)了。穿著這套嫁衣，在哈爾濱的中央大街上，我先生用一頂紅色的花轎迎娶我。”殷碩說(shuō)，興奮、害羞，這樣的記憶，她和她的先生這一輩子也忘不了。

登上《國(guó)家寶藏》的舞臺(tái)再次演繹十里紅妝，雖然最終呈現(xiàn)的只有短短幾分鐘，但這段與花轎親密接觸的舞蹈，殷碩跳得并不容易。

這座工藝精美的花轎價(jià)值不菲?！半m然只是一件工藝品，但是價(jià)值也在400多萬(wàn)，不像舞臺(tái)道具有各種依靠掰持，很多舞蹈動(dòng)作都做不了?！奔幢闳绱耍€是非常完美地完成了舞蹈，贏得了場(chǎng)下掌聲陣陣。

2017年5月14日晚，“一帶一路”國(guó)際合作高峰論壇文藝晚會(huì)《千年之約》在北京國(guó)家大劇院上演。殷碩還在開(kāi)場(chǎng)節(jié)目《千年之約》中擔(dān)任領(lǐng)舞，她猶抱琵琶，身著金色服裝，用柔美的身段展示著陸上絲綢之路上敦煌壁畫(huà)的神韻;穿著白色、紅色傳統(tǒng)服裝的民樂(lè)演奏者，演繹了海上絲綢之路的“碧海雅韻”。

（本文照片由殷碩提供）

CCTV had every reason to choose Yin Shuo as a guardian of national treasure for its blockbuster documentary National Treasures.

Yin Shuo is an excellent dancer. She was the lead dancer of the extravaganza that celebrated the opening of the ‘Belt & Road International Cooperation Summit at the National Grand Theater in Beijing on May 14， 2017. She was also the ‘flying Apsaras in the ‘Silk Road solo at the opening ceremony of the Beijing Olympics in 2008.

And Zhejiang has ample justification to present its national treasures in one episode for the documentary.

For a taste of the unique cultural glory of Zhejiang Province and the city of Hangzhou， one can go to the Zhejiang Provincial Museum， where the history of this ‘land of opulence is fully celebrated. The three magnificent exhibits in the collection of the museum were featured in the ‘Zhejiang episode of CCTV documentary National Treasure on the night of January 28， 2018. In the documentary， famous actress Zhou Dongyu appeared to highlight the museums ‘three national treasures， one of which is a bridal sedan chair representing the wedding tradition of Ningbo， a harbor city in eastern Zhejiang.

Made in the late Qing Dynasty， the wooden sedan chair is the crystallization of the labor of more than 10，000 man-days， hence its Chinese name ‘wan gong jiao. With elaborate gold foil decorations， it is the most lavishly made existing bridal sedan representing the Ningbo style of bridal sedan chair craftsmanship.

A highlight of the ‘Zhejiang episode of the documentary was a dance solo by Yin Shuo， who was also the beautiful ‘flying Apsaras in the extravaganza that celebrated the opening of the ‘Belt and Road International Cooperation Summit at the National Grand Theater in Beijing on May 14， 2017.

“It all felt like my destiny，” Yin Shuo shared her story.

The destiny came in 2009. Yin Shuo was chosen as the lead dancer in the debut of dance drama Wedding Attire： A Girls Dream made at the Ningbo Grand Theatre in April 2009.

“I worked really hard on the dance drama， spending most of that year rehearsing in Ningbo. Every day I walked out of the dance room soaked up in sweat， but I felt happy because I fell in love with the dance drama. I felt lucky because my days in Ningbo inspired me a lot more than expected in my career as well as personal life.”

Born in a ‘singing and dancing family， Yin Shuo majored in classic dance at Beijing Dance Academy after graduation from the Hangzhou-based Zhejiang Art School. She brought home a silver medal from the 8th China National Dance Contest in 2006， for her outstanding performance of a solo. Her performance at the 4th CCTV Dance Championship caught the attention of the directing team of the opening ceremony of the Beijing Olympics.

With the storyline structured as a eulogy to the faithful and passionate love of a woman， the drama illustrates the unique wedding tradition of the Jiangnan people in China in a theatrical， artistic and truly poetic way. The drama has toured around many countries and regions and received overwhelming recognition from critics and general theatergoers alike.

“My mother-in-law， who was at that time just the mother of a friend of mine， got to know me when she was watching the dance drama. Isnt it amazing？”

“I got a wedding dress as a wedding gift from the Ningbo Singing and Dance Troupe. I will never forget the day when I sat in a red bridal sedan in Harbin， wearing that dress and waiting for the most romantic and beautiful moment in my life to come，” Yin Shuo recalled.

Her appearance of just several minutes in the CCTV documentary means enormously to Yin Shuo. The thrill comes from not only being so close to the national treasure. “It is a piece of art that makes me feel so proud to be able to represent in a choreographic way.