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      美術(shù)館前沿:“虛擬展覽”實(shí)踐及人工智能運(yùn)用

      2020-12-05 20:11:47王靜
      美術(shù)館 2020年3期
      關(guān)鍵詞:觀展浪潮美術(shù)館

      編者語(yǔ):

      互聯(lián)網(wǎng)三維技術(shù)的迅速發(fā)展正在制造新一輪信息化、數(shù)字化的浪潮,這股浪潮席卷了世界的各個(gè)角落。這其中,虛擬現(xiàn)實(shí)技術(shù)是一門(mén)涉及計(jì)算機(jī)圖形學(xué)、人工智能、多媒體技術(shù)以及人機(jī)結(jié)構(gòu)技術(shù)等諸多領(lǐng)域的新興技術(shù),虛擬現(xiàn)實(shí)技術(shù)在當(dāng)下博物館/美術(shù)館“虛擬展覽”探索方面越來(lái)越得到廣泛使用,為美術(shù)館觀眾制造線上觀展體驗(yàn),突破原有物理空間的諸多條件限制,搭建出永不落幕的展覽平臺(tái)——實(shí)體空間展示大多為單向靜態(tài)輸出,虛擬展覽則可以透過(guò)大數(shù)據(jù)分析,了解觀眾的喜好與關(guān)注點(diǎn);數(shù)字化展陳方式打破時(shí)間限制,為激發(fā)觀眾進(jìn)一步了解實(shí)體展館提供了可能,而對(duì)網(wǎng)頁(yè)設(shè)計(jì)與圖檔清晰度的高要求,也將更進(jìn)一步催化虛擬展示技術(shù)的更新和迭代,未來(lái)如何創(chuàng)造與實(shí)體展覽相當(dāng)?shù)挠^展體驗(yàn),讓觀眾真正進(jìn)入置身于展場(chǎng)般的情境,將成為美術(shù)館探討的重要課題。(文/王靜)

      INTRODUCTION:

      The rapid development of 3D Internet technology is bringing a new wave of informatization and digitization to every corner of the world.The research and application of virtual reality technology is a new subject that involves computer graphics, artificial intelligence, multimedia technology and manmachine relationship.The VR technolgoy is being increasingly used in "vitual exhibitions" at museums.It creates online exhibition viewing experience, breaks the limits of physical space, and constructs an exhibition platform that never has a closing date.Exhibitions at physical space pass on information in one-way and static manner, while virtual exhibitions get to know the audience's preference through big data analysis.Digital display is not restricted timewise, making it more possible for the audience to know about the museum's physical space.The high demand for image and web design quality further drives the virtual display technology to update and iterate.How to create virtual exhibition that could provide experience of the same standard as the physical exhibition, and put the audience in life-like situation as if they are actually in the exhibition space, will be an important issue that art museums should explore.(Text by Wang Jing)

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