嘉賓:趙蓉(設計互聯(lián)副館長);
長谷川祐子(策展人、東京當代藝術館藝術總監(jiān));
妹島和世(建筑師、普利茲克建筑獎得主);
斯加雷·埃克斯(Sjarel Ex,荷蘭鹿特丹博伊曼斯·范·伯寧恩美術館館長);
史文倩(MVRDV 事務所合伙人);
克萊爾·麥克霍恩(Claire McKeown,英國V&A博物館東館項目負責人);
大衛(wèi)·阿林(David Allin,Diller Scofidio + Renfro副總監(jiān));
奧雷·伯曼(Ole Bouman,設計互聯(lián)開館館長);
長谷川龍友(槇綜合計畫事務所副總監(jiān))
GUESTS:ZHAORONG(DEPUTYDIRECTORATDESIGNSOCIETY);
YUKOHASEGAWA(CURATOR,ARTISTICDIRECTOROFTHEMUSEUMOF
CONTEMPORARYART,TOKYO);
KAZUYOSEJIMA(ARCHITECT,PRITZKERPRIZELAUCREATE);
SJARELEX(DIRECTOROFTHEMUSEUMBOIJMANSVANBEUNINGEN);
SHIWENCHIAN(MVRDVPARTNER);
CLAIREMCKEOWN(V&AEASTPROJECTDIRECTOR);
DAVIDALLIN(ASSOCIATEPRINCIPALATDILLERSCOFIDIO+RENFRO);
OLEBOUMAN(FOUNDINGDIRECTOROFDESIGNSOCIETY);
TATSUTOMOHASEGAWA(DEPUTYDIRECTORATMAKIANDASSOCIATES)
MUSEUMS TRY TO BRING IN NEW EXHIBITION METHODS TO INCREASE THE AUDIENCE'S ENGAGEMENT, AND WALK INTO THE FUTURE WITH A NEW LOOK.THE TRANSFORMATION OF MUSEUM DESIGN ALSO STRONGLY REFLECTS THE WISH TO RETHINK HISTORY, CULTURE AND THE FUNCTION OF LEARNING, AND TO CHANGE THE RELATIONSHIP BETWEEN THE AUDIENCE AND THE MUSEUM WITH DESIGN.
眾多博物館思考將新的展示方法和策略結合起來以增加觀眾的參與度,嘗試以新的姿態(tài)面對未來,博物館設計理念的轉變也強烈體現出重新思考歷史、文化和學習的愿望,以及如何利用設計改變觀眾和博物館的既有關系。
2018年,深圳市曾公布了“新時代十大文化設施”的計劃,以此展望作為世界文化都市的城市未來。從Boullée到今天,博物館的形態(tài)到底發(fā)生了什么變化?這些有趣的建筑都是誰設計的?我們?yōu)槭裁纯吹搅诉@樣或那樣的展覽?“面向未來的博物館”論壇從內容策劃和建筑設計兩個角度,分享了國際文化目的地誕生時的故事與持續(xù)運營的挑戰(zhàn)。論壇介紹了四座博物館:金澤21世紀當代藝術館已開館16年,深圳海上世界文化藝術中心開館近3年,博伊曼斯·范·伯寧恩美術館Depot新館剛剛開放,而英國V&A博物館東館及收藏與研究中心尚在籌建。從建筑設計的角度來看,它們存在著許多共同點,比如開放、聯(lián)通、透明、靈活,都有“無墻的博物館”概念。同時,它們都在探索作品展示的創(chuàng)新方式,不僅是簡單使用展示臺,而是將展品編織成一個關系網絡,讓觀眾做出自己的判斷、得出自己的理解。新的展示方式能夠動員博物館開創(chuàng)新的策展方式。在這種新方式中,館藏部門、策展團隊以及現場工作人員共同探尋一種新的協(xié)作形式,也擁有了一種新的視角和觀眾互動。
In 2018, Shenzhen announced the "Ten Cultural Facilities of the New Era" program, to look forward to the future of a city that will become a world cultural center.How has the form of museums changed since étienne-Louis Boullée's time? Who designed all these interesting buildings? Why can we see exhibitions in one way or another? The forum "Designing Museums for the Future" shares the stories behind the international cultural destination Shenzhen from two perspectives: content planning and architecture design.The forum mainly introduces four museums: 21st Century Museum of Contemporary Art, Kanazawa; Shenzhen Sea World Culture and Arts Center; Depot Boijmans Van Beuningen;and the V&A East project.They share many common ideas on architecture design, especially the concept of "Museum without Walls"; they all explore creative exhibition methods that, instead of being limited by display stands, weave the exhibits into a network and enable the audience to form their own understandings.
01長谷川祐子&妹島和世 金澤21世紀當代藝術館
YUKO HASEGAWA & KAZUYO SEJIMA 21ST CENTURY MUSEUM OF CONTEMPORARY ART, KANAZAWA
02斯加雷·??怂?& 史文倩 博伊曼斯·范·伯寧恩美術館 Depot新館
SJAREL EX & SHI WENCHIAN DEPOT BOIJMANS VAN BEUNINGEN
03克萊爾·麥克霍恩 & 大衛(wèi)·阿林 英國V&A博物館東館及收藏與研究中心
CLAIRE MCKEOWN & DAVID ALLIN THE V&A EAST PROJECT
04奧雷·伯曼 &長谷川龍友 設計互聯(lián)與海上世界文化藝術中心
OLE BOUMAN & TATSUTOMO HASEGAWA DESIGN SOCIETY & SEA WORLD CULTURE AND THE ARTS CENTER