業(yè)主單位：Teater- og Konserthus for S?rlandet IKS

設(shè)計(jì)單位：ALA建筑師事務(wù)所

合作單位：SMS建筑事務(wù)所

項(xiàng)目狀況：2012年對(duì)公眾開(kāi)放，2014年12月擴(kuò)建竣工

項(xiàng)目攝影：Tuomas Uusheimo， Iwan Baan

主承包商：AF Gruppen

結(jié)構(gòu)設(shè)計(jì)：WSP Multiconsult AS

總聲學(xué)設(shè)計(jì)：Brekke Strand聲學(xué)設(shè)計(jì)公司

劇場(chǎng)技術(shù)：劇院項(xiàng)目顧問(wèn)公司

暖通空調(diào)：Sweco Gr?ner

電氣工程：Cowi

Client： Teater- og Konserthus for S?rlandet IKS

Architects： ALA Architects

Collaborater： SMS Arkitekter AS

Status： Built， open to public since January 2012， expansion completed in December 2014

Photographs： Tuomas Uusheimo， Iwan Baan

Main contractor： AF Gruppen

Structural design： WSP Multiconsult AS

General acoustic design： Brekke Strand Acoustics

Theater technology： Theatre Projects Consultants

HVAC： Sweco Gr?ner

Electrical engineering： Cowi

Kilden是挪威克里斯蒂安桑的劇院和音樂(lè)廳，它將S?rlandet地區(qū)的所有表演藝術(shù)機(jī)構(gòu)融為一體。克里斯蒂安桑交響樂(lè)團(tuán)有一個(gè)可容納1200人的音樂(lè)廳，Kilden劇院擁有一個(gè)可容納700人的劇院大廳，劇院還可變換為Kilden歌劇表演的舞臺(tái)。此外，這里還設(shè)有一座專門上演實(shí)驗(yàn)戲劇的小舞臺(tái)，以及一座位于地面層的多功能廳。

Kilden可帶來(lái)多種體驗(yàn)。音樂(lè)廳、劇院和多功能廳高效互不干擾的服務(wù)方式構(gòu)成該建筑的核心。巨大的抽象式墻壁采用當(dāng)?shù)叵鹉?，將現(xiàn)實(shí)與虛幻世界分離。觀眾從自然景觀中穿行而過(guò)，進(jìn)入表演藝術(shù)的區(qū)域。這面墻壁由楔形CNC銑削實(shí)木板制成，不僅形成偽裝的戲劇效果，還是一種具象的觸覺(jué)制品，同時(shí)提高了門廳的聲學(xué)效果。其他立面的無(wú)限制黑色格調(diào)突出了門廳的壯觀。

此項(xiàng)目基于原始設(shè)計(jì)并在給定時(shí)間和預(yù)算內(nèi)執(zhí)行。2014年底完成場(chǎng)地?cái)U(kuò)建，增加了排練空間。

Kilden， a theater and concert hall in Kristiansand， Norway， has brought together all of the S?rlandet regions performing arts institutions under one roof. Kristiansand Symphony Orchestra has a concert hall accommodating 1，200 attendees. The Kilden Theater is performing in a theater hall with a capacity of 700， that can be transformed to also accommodate opera performances by Kilden Opera. In addition， there is a smaller stage for experimental theater and a multi-purpose hall with a level floor.

Kilden produces experiences. The way the concert， theater and multi-purpose halls are serviced efficiently and without interference forms the core of its architecture. The monumental abstract form of the wall made of local oak separates reality from fantasy. Passing through， the audience will move from natural landscape to the realm of performing arts. This wall made of wedged CNC milled solid planks is not only a disguised theatrical effect but a concrete tactile artifact， which also improves the acoustics of the foyer. The infinite blackness of the other facades emphasizes the spectacle of the foyer.

The project was executed according to the original design， and within the given timeframe and budget. The expansion of the venue containing more rehearsal space was completed in late 2014.