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      第三屆全球豪瑞獎銀獎:城市改造和市政基礎設施樞紐,圣保羅,巴西

      2016-12-21 05:32:18主要設計者阿爾弗雷多布林伯格休伯特克倫普納城市智庫
      世界建筑 2016年12期
      關鍵詞:布林圣保羅銀獎

      主要設計者:阿爾弗雷多·布林伯格,休伯特·克倫普納/城市智庫

      第三屆全球豪瑞獎銀獎:城市改造和市政基礎設施樞紐,圣保羅,巴西

      3rd Global Holcim Awards Silver: Urban Remediation and Civic Infrastructure Hub, S?o Paulo, Brazil

      主要設計者:阿爾弗雷多·布林伯格,休伯特·克倫普納/城市智庫

      Main Authors: Alfredo Brillembourg, Hubert Klumpner/Urban Tink Tank

      1 將空隙轉(zhuǎn)化為具有生產(chǎn)性和動態(tài)的公共空間/Transforming a void into a productive zone and dynamic public space

      評委評語

      評委會被該方案打動是因為它從可持續(xù)發(fā)展的宏觀和微觀方法出發(fā),建議在圣保羅最大的貧民窟之一——帕賴索波利斯建設一個多功能公共建筑。位于貧民窟中心的石窟音樂工廠在小區(qū)內(nèi)雜亂蔓延的不規(guī)則低層房屋之間插入了垂直的體量,從而為所有居民提供了額外的空間和活動項目。為了解決該地區(qū)缺乏社會及文化基礎設施的問題,該建筑提供了音樂學校、體育設施和交通設施。公共社交場所位于音樂工廠的周圍、底下和內(nèi)部。盡管石窟音樂工廠地處中心位置,但其邊緣區(qū)域卻與正規(guī)城市完全隔離。在這個偏遠地區(qū)內(nèi),水土流失的日益加劇和泥石流的危險使該場地成為圣保羅的高風險區(qū)之一。該項目結構性地保留并加固該地區(qū)的挑戰(zhàn)性地形,在梯田公共空間打造了一個城市農(nóng)業(yè)綠島。建筑師們提出了各種各樣低技的解決方案,將引入一個水資源管理系統(tǒng),以收集雨水和再利用灰水。無論是該建筑,還是其露天劇場,均采取集主動和被動通風、制冷、空調(diào)于一體的集成系統(tǒng)。因此,建筑與景觀將融合為一個系統(tǒng),以有效處理該地區(qū)多變的氣候條件。該項目簡潔、有力:它將可持續(xù)發(fā)展的范圍擴展到自然資源管理之外,將其引入社會可持續(xù)性發(fā)展領域。設計過程的初始階段和空間的最終利用都是參與式的。通過采用當?shù)仄毡榈慕ㄖ牧虾图夹g,該項目將為小區(qū)內(nèi)及其附近的小規(guī)模建筑公司創(chuàng)造工作機會。評委會選中該項目是因為,它是在圣保羅矛盾沖突最多的一個區(qū)域內(nèi)的非常強大而重要的設計干預。方案具有為貧民窟內(nèi)許多人帶來滿足感和機遇的復雜性。它通過共同建設社區(qū)中心的過程,以非常有效的方式提供了社會凝聚力和更多就業(yè)機會。

      Jury Appraisal

      The jury was impressed by this proposal for a multifunctional public building in Paraisópolis, one of S?o Paulo's largest favelas, because of its macroand micro-scale approach to sustainability. Located in the heart of the favela, the Grot?o Fábrica de Música (music factory) creates vertical density within the lowrise sprawl of the neighborhood's informal housing and thus additional space and activity programs available to all residents. To address the lack of social and cultural infrastructure in the area, the building provides a music school, sports facilities, and transport infrastructure. Public spaces for social interaction are located around, under, and within the Fábrica de Música. Despite its central location, the marginalized area of Grot?o is completely separated from the formal city. Within this isolated zone, increased erosion and dangerous mudslides have designated the site as one of the highrisk zones of S?o Paulo. Te project structure retains and stabilizes the area's challenging topography, creating a green island in a terraced public space and room for urban agriculture. Te architects have proposed a variety of low-tech features. A water management system will be introduced to collect rainwater and reuse grey-water. Both the building and its amphitheater will adopt an integrated system of active and passive ventilation, cooling, and air conditioning. Building and landscape will thus combine into one system to effectively handle the area's varying climatic conditions. The project is clear and powerful: it expands sustain-ability beyond the management of natural resources and takes it into the realm of social sustainability. Te design process is participatory in both its initial phase and in the end use of the space. By applying locally-known construction materials and technologies, the project will create work opportunities for small-scale construction businesses in and around the neighborhood. The jury selected this project because it is a very strong and important intervention in one of the most conflicted areas of S?o Paulo. The proposed program has the complexity that brings satisfaction and opportunities to many of the people in the favelas. It provides social cohesion and additional jobs in a very efficient way, through the process of building a community center together.

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