主持建筑師：葛明

微園，南京，江蘇，中國

主持建筑師：葛明

項(xiàng)目信息/Credits and Data

攝影/Photos: 孔德鐘/KONG Dezhong

1 模型/Model

作為園子的房子

在并無關(guān)系的一組老房子之間經(jīng)營擴(kuò)建加建，改造為書法館，以期小中見大、自成微園。

將原單層廠房坡頂各向兩側(cè)接續(xù)一跨，應(yīng)對(duì)書法展示，并將坡頂桁架包覆，使原廠房進(jìn)深空間轉(zhuǎn)向而與院子水平通連。

借力于結(jié)構(gòu)，制造起落，降低視點(diǎn)，以回溯宋時(shí)曾經(jīng)具有的特殊視高的空間觀法。

置石理水，植樹培土，均以連接內(nèi)外為要，以期擴(kuò)大空間容量（房），以期眼前有景（園）。

A House as a Garden

By extension and addition, a group of unrelated old buildings are renovated into a calligraphy museum – the Wei Yuan Garden, in which the Big is envisioned the Small.

The pitch-roof of the single-storey building is extended with one span on either side to accommodate the calligraphy exhibition. Roof trusses are so wrapped to turn the original crossaxis of space to connect it with the courtyard. Structure helps lower the viewpoint and create spatial ups and downs, in order to recall the spatial perspective once possessed in the Song Dynasty.

The rock-and-water layout, tree-planting and soil-cultivation are well designed in accordance with the principle of interiorexterior continuity, in the hope of expanding the spatial capacity (as the house) and offering sceneries (as the garden).

Wei Yuan Garden, Nanjing, Jiangsu, China, 2014

Principal Architect: GE Ming

2 首層平面/Floor 0 plan

3 二層平面/Floor 1 plan

4.5 剖面/Sections

6 白廳/White hall

7 入口/Entrance

8 黑廳/Black hall